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Longing and Letting Go
Can we love God and others without our desires eclipsing the very beauty, integrity and diversity toward which we are drawn; that is, can we love without trying to possess? Spanning centuries, continents, and religious traditions, Longing and Letting Go looks to Christian writer Hadewijch and Hindu songstress Mirabai to explore their inextricable practices of longing and letting go, and more particularly, the interreligious possibilities of passionate non-attachment for an interconnected, pluralistic world.
Thinking and Seeing with Women in Revelation
Lynn R. Huber argues that the visionary aspect of Revelation, with its use of metaphorical thinking and language, is the crux of the text's persuasive power. Emerging from a context that employs imagery to promote imperial mythologies, Revelation draws upon a long tradition of using feminine imagery as a tool of persuasion. It does so even while shaping a community identity in contrast to the dominant culture and in exclusive relationship with the Lamb. By drawing upon the work of medieval and modern visionaries, Huber answers a call to examine the way 'real' readers engage with biblical texts. Revealing how Revelation continues to persuade audiences through appeals to the visual and provocative imagery she offers a new sense of how the text metaphorical language simultaneously limits and invites new meaning, unfurling a range of interpretations.
Hybridity in the Literature of Medieval England
Hybridity in the Literature of Medieval England offers a wide-ranging exploration of hybridity in medieval English literature. Anxiety about hybridity surfaces in characters of mixed ethnic identity in the romances. But anxiety is found also in the intersection of the natural and the supernatural and its site can be located inside the human body’s unstable physical frame, living and dead, as much as in the cultural and social forces at work upon the human body politic at large. Hybridity is unlike other constructs of difference in that, while it is grounded in difference, hybridity points toward sameness. The four types of hybridity studied in medieval English literature show that hybridity can resolve the problems caused by difference. Understanding medieval hybridity can help us to deal with our own contemporary struggles with the mixtures of our own lives and societies.
Machaut's Legacy
"Machaut's Legacy deepens our appreciation of the poet's wide-ranging accomplishments and influences, which span from the Middle Ages to the postmodern era. It stakes out exciting new territories and provocative theses, all of which enhance our understanding of this genius of world literature."--Tison Pugh, author of Chaucer's (Anti-)Eroticisms and the Queer Middle Ages "This richly erudite volume contextualizes Machaut as a seminal medieval poet whose work extends its reach well into the modern era. Machaut's Legacy pulls the reader through almost 700 years of literary history, illustrating the extraordinary influence that this writer had on his contemporaries, as well as his lasting impact...
Vigor Mortis
This volume explores the enduring presence and participation of the dead in the lives of premodern people from the Carolingian period to the end of the Middle Ages. Unlike modern states, which erect barriers to separate the dying and the deceased from their families, friends, and associates, premodern societies in western Europe fostered an on-going relationship between the living and the dead that was mutually beneficial to both parties. As these studies show, the dead had many means at their disposal to communicate their needs and disaffection, including ghostly visitations and unquiet corpses. For their part, medieval authors told stories about the fate of the dead and the geography of th...
The Barbour Collection of Connecticut Town Vital Records
Volume 48 of the Barbour Collection is devoted entirely to the Connecticut town of Wallingford. Herein the researcher will find references to over 40,000 early inhabitants.
Scribal Correction and Literary Craft
An authoritative account of what manuscripts and their corrections reveal about medieval attitudes to books, language and literature.
Vernacular Aesthetics in the Later Middle Ages
Vernacular Aesthetics in the Later Middle Ages explores the formal composition, public performance, and popular reception of vernacular poetry, music, and prose within late medieval French and English cultures. This collection of essays considers the extra-literary and extra-textual methods by which vernacular forms and genres were obtained and examines the roles that performance and orality play in the reception and dissemination of those genres, arguing that late medieval vernacular forms can be used to delineate the interests and perspectives of the subaltern. Via an interdisciplinary approach, contributors use theories of multimodality, translation, manuscript studies, sound studies, gender studies, and activist New Formalism to address how and for whom popular, vernacular medieval forms were made.
