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The Harlem Renaissance is the best known and most widely studied cultural movement in African American history. Now, in Harlem Renaissance Lives, esteemed scholars Henry Louis Gates Jr. and Evelyn Brooks Higginbotham have selected 300 key biographical entries culled from the eight-volume African American National Biography, providing an authoritative who's who of this seminal period. Here readers will find engagingly written and authoritative articles on notable African Americans who made significant contributions to literature, drama, music, visual art, or dance, including such central figures as poet Langston Hughes, novelist Zora Neale Hurston, aviator Bessie Coleman, blues singer Ma Rainey, artist Romare Bearden, dancer Josephine Baker, jazzman Louis Armstrong, and the intellectual giant W. E. B. Du Bois. Also included are biographies of people like the Scottsboro Boys, who were not active within the movement but who nonetheless profoundly affected the artistic and political statements that came from Harlem Renaissance figures. The volume will also feature a preface by the editors, an introductory essay by historian Cary D. Wintz, and 75 illustrations.
Like the history of women, dance has been difficult to capture as a historical subject. Yet in bringing together these two areas of study, the nine internationally renowned scholars in this volume shed new and surprising light on women’s roles as performers of dance, choreographers, shapers of aesthetic trends, and patrons of dance in Italy, France, England, and Germany before 1800. Through dance, women asserted power in spheres largely dominated by men: the court, the theater, and the church. As women’s dance worlds intersected with men’s, their lives and visions were supported or opposed, creating a complex politics of creative, spiritual, and political expression. From a women’s religious order in the thirteenth-century Low Countries that used dance as a spiritual rite of passage to the salon culture of eighteenth-century France where dance became an integral part of women’s cultural influence, the writers in this volume explore the meaning of these women’s stories, performances, and dancing bodies, demonstrating that dance is truly a field across which women have moved with finesse and power for many centuries past.
A partial reconstruction of Bremen passenger lists based on U.S. sources. Not all Bremen passengers are included; only those giving a specific place of origin in Germany. This is about 21%; those giving only "Germany" as place of origin was about 79%.
In the long-awaited successor to the "Dictionary of American Negro Biography," the authors illuminate history through the immediacy of individual experience, with authoritative biographies of some 600 noteworthy African Americans.
The special language of poor-bashing disguises the real causes of poverty, hurts and excludes people who are poor, cheapens the labour of people who have jobs, and takes the pressure off the rich. Swanson, a twenty-five year veteran of anti-poverty work, exposes the ideology of poor-bashing in a clear, forceful style. She examines how media "poornography" operates when reporters cover poverty stories. She also reveals how government and corporate clients use poor-bashing focus groups. To make the book even more useful Swanson includes key chapters on the history of poor-bashing.
Historian Royden Loewen has brought together selections from diaries kept by 21 Mennonites in Canada between 1863 and 1929, some translated from German for the first time. By skillfully comparing and contrasting a wide cross-section of lives, Loewen shows how these diaries often turn the hidden contours of household and community "inside out." The writers featured were ordinary rural people: young women and grandmothers, rural preachers and landless householders. They include a teenaged boy who immigrated from Russia to Manitoba in 1875 as well as a successful merchant, a traveling evangelist, and a devout, conservative church elder. An elderly grandfather recounted the daily circuit of his ...