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Rose-Coloured Houses
In the autumn in 1942, seven-year-old Peggy walks slowly home to the Rosedale boarding house where she lives with her two older brothers, her mother, and her quick-tempered and emotionally abusive father. As Peggy grows, she learns more about the world around her and the lies and secrets she has grown up with. Who is her father really, and why is the family always hungry when Colonel Charles Wickman, Esq. is supposed to be a successful lawyer? Where does he disappear to on his long business trips, and why is the family always moving? The true nature of Charles's history is forever intertwined with the relationships and lives of his family. Will Peggy and her brothers take after their father, ruining lives and relationships as they progress through their own, or will they manage to break the cycles of abuse and deception to build lives based in truth, friendship, and love? Is forgiveness possible without reconciliation? Rose-Coloured Houses explores lies, abuse, love, and healing in a multi-generational tale of wealth, ruin, and redemption.
The Synans of Virginia
William Synan was born in about 1800 in County Cork, Ireland. He emigrated in about 1812 and settled in Virginia. He married Sarah Terry, daughter of Emmanuel Terry, 9 January 1821 in Louisa County, Virginia. They had six children. Descendants and relatives lived mainly in Virginia. Includes Blankenbaker, Brooks, Riley and related families.
The Scientist and the Serial Killer
The true story of how one dedicated forensic scientist restored the long-lost identities of the teenaged victims of the “Candy Man,” one of America’s most prolific serial killers “A masterwork of crime writing . . . Lise Olsen has taken a fifty-year-old story and made it new and fresh and terrifyingly real.”—S. C. Gwynne, New York Times bestselling author of Rebel Yell Houston, Texas, in the early 1970s was an exciting place—the home of NASA, the city of the future. But a string of more than two dozen missing teenage boys hinted at a dark undercurrent that would go ignored for too long. While their siblings and friends wondered where they had gone, the Houston police department...
The Witness
Police Chief Luke Granger's witness to a murder, Amy Griffin, has been on the run for years. Her family thinks she was murdered eight years ago, but Amy chose to accept a life in the shadows in order to protect her sisters' lives. Now unveiled secrets about their father have thrust the sisters into the public spotlight. The man who wants Amy dead now sees her sisters as the way to locate her. Luke and two of his homicide detectives are determined to stand in the way. They are each falling in love with a different sister, and it's become a personal mission to keep them safe. But chances are that at least one of them will fail, and facing the future will take a faith deeper than any of them currently knows.
The Afterthought
The Afterthought brings back into focus the psychedelic sixties in all of their purple-haze glory, as seen through the eyes of legendary west coast music promoter and entrepreneur Jerry Kruz. Using the historical posters as a timeline, Kruz's recollections are a celebration of the resiliency of Woodstock-era arts and culture and foundational musical acts like the Grateful Dead, Janis Joplin, Steve Miller, The Collectors (Chilliwack), Tom Northcott Trio, Country Joe & the Fish and many more. Complete with selected discographies and band biographies for many of the musical acts included in the book, The Afterthought is illustrated throughout with selections from the folk-inspired and psychedelia-fuelled artwork of legendary artists Bob Masse and Frank Lewis.
John Durang
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Women’s Work
Like the history of women, dance has been difficult to capture as a historical subject. Yet in bringing together these two areas of study, the nine internationally renowned scholars in this volume shed new and surprising light on women’s roles as performers of dance, choreographers, shapers of aesthetic trends, and patrons of dance in Italy, France, England, and Germany before 1800. Through dance, women asserted power in spheres largely dominated by men: the court, the theater, and the church. As women’s dance worlds intersected with men’s, their lives and visions were supported or opposed, creating a complex politics of creative, spiritual, and political expression. From a women’s religious order in the thirteenth-century Low Countries that used dance as a spiritual rite of passage to the salon culture of eighteenth-century France where dance became an integral part of women’s cultural influence, the writers in this volume explore the meaning of these women’s stories, performances, and dancing bodies, demonstrating that dance is truly a field across which women have moved with finesse and power for many centuries past.
