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Aesthetic Experience and Somaesthetics
This collection of essays explores the crucial connections between aesthetic experience and the interdisciplinary field of somaesthetics, while further advancing inquiry in both. After the editor’s introduction and three articles examining philosophical accounts of embodiment and aesthetic experience in existentialism, phenomenology, hermeneutics, and pragmatism, the book’s nine remaining articles apply somaesthetic theory to the fine arts (including detailed studies of the body’s role in painting, sculpture, architecture, poetry, music, photography, and cinema) but also to diverse arts of living, considering such topics as cosmetics and sexual practice. These interdisciplinary, multicultural essays are written by a distinctively international group of experts, ranging from Asia (China and India) to Europe (Denmark, Finland, Hungary, and Italy) and the United States.
Plant Mutagenesis
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Drama, Poetry and Music in Late-Renaissance Italy
Leonora Bernardi (1559-1616), a gentlewoman of Lucca, was a highly regarded poet, dramatist and singer. She was active in the brilliant courts of Ferrara and Florence at a time when creative women enjoyed exceptional visibility in Italy. Like many such figures, she has since suffered historical neglect. Drama, Poetry and Music in Late-Renaissance Italy presents the first ever study of Bernardi’s life, and modern edition of her recently discovered literary corpus, which mostly exists in manuscript. Her writings appear in the original Italian with new English translations, scholarly notes, critical essays and contributions by Eric Nicholson, Eugenio Refini and Davide Daolmi. Based on new arc...
Exploring the Future of Christian Monasticisms
The institution of monasticism in the Christian Church is in general decline, at least in so-called “first world” nations. Though there are many reasons for this, monastic leaders are confronted by the reality of fewer communities, monks, and nuns nonetheless. At the same time, many younger Christians are rediscovering the rich heritage of the monastic tradition. Though they themselves might not be called to join a traditional monastery, they are eager to appropriate monastic practices in their own lives. This had led to a movement known as the “new monasticism” or “secular monasticism.” Despite lacking a unified vision and any central organization, these new/secular monastics ar...
On the Philosophy of Central European Art
This book is an introduction to the history of the concept and the institution of (fine) art, from its ancient Southern European roots to the establishment of the modern system of the arts in eighteenth century Central Europe. It highlights the way the concept and institution of (fine) art, through colonialism and diaspora, conquered the world. Ryynänen presents globally competing frameworks from India to Japan but also describes how the art system debased local European artistic cultures (by women, members of the working class, etc) and how art with the capital A appropriated not just non-Western but also Western alternatives to art (popular culture). The book discusses alternative art forms such as sport, kitsch, and rap music as pockets of resistance and resources for future concepts of art. Ultimately, the book introduces nobrow as an alternative to high and low, a new concept that sheds light on the democratic potentials of the field of art and invites reader to rethink the nature of art.
The Art of Religion
Bernini and Pallavicino, the artist and the Jesuit cardinal, are closely related figures at the papal courts of Urban VIII and Alexander VII, at which Bernini was the principal artist. The analysis of Pallavicino's writings offers a new perspective on Bernini's art and artistry and allow us to understand the visual arts in papal Rome as a 'making manifest' of the fundamental truths of faith. Pallavicino's views on art and its effects differ fundamentally from the perspective developed in Bernini's biographies offering a perspective on the tension between artist and patron, work and message. In Pallavicino's writings the visual arts emerge as being intrinsically bound up with the very core of religion involving questions of idolatry, mimesis and illusionism that would prove central to the aesthetic debates of the eighteenth century.
Andrea Del Castagno and His Patrons
Most studies of Renaissance patronage in the arts deal with a particular patron and the artists who worked for him. John R. Spencer reverses this approach by focusing on one fifteenth-century Florentine artist, Andrea del Castagno, and his patrons. Combining social and art history, Spencer casts new light on both the career of Castagno and on the nature of art patronage in the early Renaissance. Through careful and detailed archival research, Spencer creates a fascinating portrait of Castagno's patronage as a web, at the center of which was Cosimo de' Medici, who constituted the focal point of a network of business partnerships, real estate transactions, loans, and special privileges in whic...
The Perfection of Nature
"The Renaissance is celebrated for the belief that individuals could fashion themselves to greatness, but, as Mackenzie Cooley uncovers in this timely book, there is a dark parallel to this fãeted era. Those same men and women who were offering profound advancements in our understanding of the human condition-and laying the foundations of the Scientific Revolution-were also obsessed with controlling that condition and the wider natural world. Cooley traces how the Renaissance world, from the Mediterranean to Mexico City to the high mountains of the Andes, was marked by a lingering fascination with breeding. While one strand of the Renaissance celebrated a liberal view of human potential, an...
