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Utility and Beauty
Utility and Beauty examines the art and craft of composition ornament through the life and work of Robert Wellford (1775-1844) of Philadelphia, the foremost maker of compo in America."
Performing the "everyday"
This interdisciplinary anthology explores the representation of everyday life across several disciplines in a century known for its interest in individual experience of the mundane as well as the heroic. Comprised of essays by established and emerging scholars of literature, art, and music history, the volume explores not merely the range of performances under the banner of the everyday, but also the meanings inherent in these attempts to create art out of the experience of the real. In this collection, the authors attempt to provide a wide-ranging picture of the many ways in which the notion of the everyday is a valuable conceptual frame through which the eighteenth century may be apprehended, as this critical term allows for issues of gender, race, and class to come into focus. Alden Cavanaugh is Associate Professor of Art History at Indiana State University.
The Spiritual Rococo
A groundbreaking approach to Rococo religious d?r and spirituality in Europe and South America, The Spiritual Rococo addresses three basic conundrums that impede our understanding of eighteenth-century aesthetics and culture. Why did the Rococo, ostensibly the least spiritual style in the pre-Modern canon, transform into one of the world?s most important modes for adorning sacred spaces? And why is Rococo still treated as a decadent nemesis of the Enlightenment when the two had fundamental characteristics in common? This book seeks to answer these questions by treating Rococo as a global phenomenon for the first time and by exploring its moral and spiritual dimensions through the lens of pop...
From Sacred to Secular
This examination of illustrations in early American books, pamphlets, magazines, almanacs, and broadsides provides a new perspective on the social, cultural, and political environment of the late colonial period and the early republic. American printers and engravers drew upon a rich tradition of Christian visual imagery. Used first to inculcate Protestant doctrines, regional symbolism later served to promote reverence for the new republic. The chapters are devoted to momento mori imagery, children's readers, visionary literature, and illustrated Bibles. One chapter shows the demonization of the Indians even as the Indian was being adopted as a symbol of America. Other chapters deal with propaganda for the American Revolution, canonization of leaders, secularized roles for women, and socialization of sites in the new nation.Throughout, analysis of image and text shows how the religious and the secular contrasted, coexisted, and intermingled in eighteenth-century American illustrated imprints. Barbara E. Lacey is a Professor of history at St. Joseph College. It includes more than 110 illustrations.
The Artist as Original Genius
Examines the first generation of artists in Britain to define themselves as history painters, attempting what then was considered to be art's most exalted category. This book features more than 120 black-and-white illustrations.
From Savage to Citizen
"Using methodologies derived from cultural studies, new historicism, and the history of ideas, Amy S. Wyngaard argues that changing ideas of individual, class, and national identity in the eighteenth century were elaborated around portrayals of the peasant."--BOOK JACKET.
Female Beauty Systems
Female beauty systems everywhere are complex, integrating markers of class, status, power, and sexuality to perform the fundamental function of sorting individuals into categories of “more” or “less” desirable. Heirs to the tradition of courtly love, modern western female beauty systems tend to share the norm of man as pursuer, woman as pursued, having developed around the trope of the madly-desiring poet or knight supplicating his aloof and lovely lady for her favor. The apparent longevity of the courtly love tradition raises the question of whether the way in which it structures male desire in reaction to female beauty is part of a “universal” tendency, an evolutionary adaptati...
Piety and Politics
"This book provides the first comprehensive analysis of Louis XIV's magnificent final chapel at Versailles, completed in 1710 near the end of his long reign (1643-1715). Construction, begun in 1699 on foundations of 1689, spanned the offices of two premiers architects du roi, Jules Hardouin-Mansart and Robert de Cotte. Eight painters and over 100 sculptors participated in the monumental undertaking, which remains almost unchanged today. An unusually large number of archival documents, drawings, and early texts about the chapel allow a detailed reconstruction of its history and meaning. Given Louis XIV's renown as one of the great kings and art patrons of all history and the universal definitions of his power in terms of divine kingship, the story of his palace chapel interests all historians of the ancien regime."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Thea Astley
This is the first biography of one of Australia's most beloved novelists, Thea Astley (1925–2004). Over a 50-year writing career, Astley published more than a dozen novels and short story collections, including The Acolyte, Drylands, and The Slow Natives, and was the first person to win multiple Miles Franklin Awards. With many of her works published internationally, Astley was a trailblazer for women writers. In her personal life, she was renowned for her dry wit, eccentricity, and compassion. Karen Lamb has drawn on an unparalleled range of interviews and correspondence to create a detailed picture of Thea the woman, as well as Astley the writer. She has sought to understand Astley's private world and how that shaped the distinctive body of work that is Thea Astley's literary legacy.
