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String, Felt, Thread
String, Felt, Thread presents an unconventional history of the American art world, chronicling the advance of thread, rope, string, felt, and fabric from the "low" world of craft to the "high" world of art in the 1960s and 1970s and the emergence today of a craft counterculture. In this full-color illustrated volume, Elissa Auther discusses the work of American artists using fiber, considering provocative questions of material, process, and intention that bridge the art-craft divide. Drawn to the aesthetic possibilities and symbolic power of fiber, the artists whose work is explored here-Eva Hesse, Robert Morris, Claire Zeisler, Miriam Schapiro, Faith Ringgold, and others-experimented with m...
Queer Maximalism x Machine Dazzle
Machine Dazzle, to my mind, [is] a true theatrical genius who has created some of the most inventive costumes and sets I have ever seen. —Hilton Als, The New Yorker Machine Dazzle is the much-in-demand designer and artist behind popular cabaret, drag, and performance stars such as Taylor Mac and transgender icon Mx. Justin Vivian Bond. For the first time, his over-the-top stage creations, made for himself and others, are collected here alongside stage environments, ephemera, and photos from his career. In Machine Dazzle’s world, costumes are transformative objects with world-making capacity. The artist’s “queer maximalism” encapsulates a more-is-better attitude to making and creati...
Loie Hollowell
Motherhood's impossible syllogism / Emma Enderby -- Works -- Form is personal / Elissa Auther in conversation with Loie Hollowell -- Works -- Sketchbooks -- Installation views.
Surface/Depth
None
Extra/Ordinary
Artists, critics, curators, and scholars develop theories of craft in relation to art, chronicle how fine art institutions understand and exhibit craft media, and offer accounts of activist crafting.
West of Center
Recovering the art and lifestyle of the counterculture in the American West in the 1960s and '70s
Sonya Clark
Large-scale textile works from a leading contemporary Afro-Caribbean American artist. This is the first volume to document and contextualize Sonya Clark's large-scale, community-centric and collaborative artworks. These projects demonstrate Clark's career-long commitment to addressing the urgent issue of racial inequality in American society and her philosophy of creatively engaging the viewer in reflection on the nation's history of slavery and our roles in dismantling systemic racism today. As an extension of her abiding commitment to issues of history, race, and reconciliation in her work, Clark is also distinctive as an artist for her use of textiles and other everyday materials, which she aligns with the intertwined histories of art and craft. For marginalized people (African Americans and women, in particular) handwork has been essential to survival and consequently has functioned, and continues to function, as an important means of creating a group identity. Hence, for Clark, craft is essential to the question of equality.
Regarding the Popular
Regarding the Popular charts the complex relationship between the avant-gardes and modernisms on the one hand and popular culture on the other. Covering (neo-)avant-gardists and modernists from various European countries, this second volume in the series European Avant-Garde and Modernism Studies explores the nature of so-called “low” culture, dealing with aspects as diverse as the everyday and the folkloric. Regarding the Popular charts the many ways in which the allegedly “high” modernists and avant-gardists looked at and represented the “low”. As such, this book will appeal to all those with an interest in the dynamic of modern experimental arts and literatures.
With Pleasure
A timely and expansive survey of a groundbreaking American art movement that overturned aesthetic hierarchies in a riot of color and ornamentation The Pattern and Decoration movement emerged in the 1970s as an embrace of long-dismissed art forms associated with the decorative. Pioneering artists such as Miriam Schapiro (1923-2015), Joyce Kozloff (b. 1942), Robert Kushner (b. 1949), and others appropriated patterns, frequently from non-Western decorative arts, to produce intricate, often dizzying or gaudy designs in media ranging from painting, sculpture, and collage to ceramics, installation art, and performance. This dazzling book showcases an astonishing array of works by more than 40 arti...
Rethinking Place in South Asian and Islamic Art, 1500-Present
10 Useful but dangerous: photography and the Madras School of Art, 1850-73 -- 11 Temporal transformations: terracotta and trash -- Index
