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From a Pulitzer Prize finalist and New York Times bestselling author and poet comes a galvanizing meditation on the power of art and culture to illuminate America's unresolved problem with race. *Named a Most Anticipated Title of 2022 by TIME magazine, New York Times, Bustle, and more* In the midst of civil unrest in the summer of 2020 and following the murders of George Floyd, Breonna Taylor, and Ahmaud Arbery, Elizabeth Alexander—one of the great literary voices of our time—turned a mother's eye to her sons’ and students’ generation and wrote a celebrated and moving reflection on the challenges facing young Black America. Originally published in the New Yorker, the essay incisively...
Offers a collection of poems with themes ranging from race, memory, and Southern culture to African American celebrities including Richard Pryor, Muhammad Ali, and Nat King Cole.
A Study Guide for Elizabeth Alexander's "The Toni Morrison Dreams," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.
A fourth collection of poems by the author recalls over a century of African American traditions, knitting together a blend of history, biography, personal experience, pop culture, and dreamscape.
A volume in the Poets on Poetry series, which collects critical works by contemporary poets, gathering together the articles, interviews, and book reviews by which they have articulated the poetics of a new generation. Elizabeth Alexander is considered one of the country's most gifted contemporary poets, and the publication of her essays in The Black Interior in 2004 established her as an astute critic and cultural commentator as well. Arnold Rampersad has called Alexander "one of the brightest stars in our literary sky . . . a superb, invaluable commentator on the American scene." In this new collection of her essays, reviews, and interviews, Alexander again focuses on African American arti...
With a poet's precision and an intellectually adventurous spirit, Elizabeth Alexander explores a wide spectrum of contemporary African American artistic life through literature, paintings, popular media, and films, and discusses its place in current culture. In The Black Interior, she examines the vital roles of such heavyweight literary figures as Gwendolyn Brooks, Langston Hughes, and Rita Dove, as well as lesser known, yet vibrant, new creative voices. She offers a reconsideration of "afro-outré" painter Jean-Michel Basquiat, the concept of "race-pride" in Jet magazine, and her take on Denzel Washington's career as a complex black male icon in a post-affirmative action era. Also availabl...
The first career retrospective by the award-winning poet Elizabeth Alexander, including her poem delivered at Barack Obama's presidential inauguration We crave radiance in this austere world, light in the spiritual darkness. Learning is the one perfect religion, its path correct, narrow, certain, straight. —from "Allegiance" Over twenty years, Elizabeth Alexander has become one of America's most exciting and important poets, and her selection as the inaugural poet by President Obama confirmed her place as one of the indispensable voices of our time. Crave Radiance: New and Selected Poems 1990–2010 gathers twenty pages of new poetry, along with generous selections from her previous work. The result is the definitive volume to date by this American master.
These poems range from personal memory to cultural history to human personae: John Coltrane, Frida Kahlo, Nelson Mandela, and "The Venus Hottentot," a nineteenth-century African woman made into a carnival sideshow exhibit. -- p.[4] of cover.
The literary tradition surrounding the Macedonian conqueror is rich, contradictory and complex. Much of what we know comes from the history of Quintus Curtius, who wrote a history of Alexander in the first century AD. Baynham explores Curtius' historical style and his presentation of the legendary king. She examines his use of ancient sources, and discusses why Curtius chose to preserve the information about Alexander that he did. She demonstrates that his work was a carefully planned narrative, and that he was not only interested in presenting Alexander as a clever ruler and accomplished tactician, but also as a human subject to the whims of chance, of fortuna .