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Reproduction of the earliest known literary account of the trial of John Scanlan Esq, of Ballycahane House, Co Limerick who was hanged for murder in 1820. The account, written by Michael James Whitty in 1824, includes an introduction with a survey of the case to date and a chronology of creative works drawn on the murder between 1824 and 1953. Research correspondence between the authors of this work has been added as an appendix.
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Le Prix d’Amour, a vibrant Paris cabaret, is caught in the crossfire of the occupation. Everyone is being watched, and some of Le Prix’s colourful performers are hiding dangerous secrets. Monsieur Maurice manages Le Prix d’Amour, a successful Parisian cabaret, which boasts glitzy performers and sassy showgirls. But with the German occupation in June 1940, Maurice treads a fine line between his German patrons, the French police and the Gestapo as he hides the dark secrets of his performers. Two of his lively showgirls, Lily and Poppy, soon join Maurice in the hunt for an informer who threatens to betray them. With the Allied landings, the tension builds and Maurice is pushed to his limits as his performers finally take the fight to the invader in their own flamboyant way. Secrets and Showgirls portrays an occupied Paris in which exotic cabarets existed uneasily under the heel of the invader. It follows the antics of Maurice, Lily and a glittering array of characters, but never loses sight of the battle to survive that characterised the life of the everyday Parisian.
Frank Shovlin is a retired bank official aged seventy-one and was born on March 10, 1941. He has no background in writing and lives in Donegal Town, Ireland, with his wife, Collette. Their five children are grown up; three live in Ireland, one in UK, and one in the USA. His time is spent gardening and playing bridge and golf.
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The first detailed analysis of the legacy of the Irish Parliamentary Party in independent Ireland. Providing statistical analysis of the extent of Irish Party heritage in each Dáil and Seanad in the period, it analyses how party followers reacted to independence and examines the place of its leaders in public memory.