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The First English Actresses
This book describes how and why women were permitted to act on the public stage after 1660 in England.
Beckett and Authority
This new book situates Beckett in a philosophical and literary tradition that has argued for the creative value of stupidity, a key concept in the thinking of philosophers such as Wittgenstein. It investigates the relationship between verbal cliché, revealing the strategies he used to challenge intellectual and social authority in his works.
The Works of William Congreve
The late D. F. McKenzie worked on this comprehensive edition of the works of the playwright, poet, librettist, and novelist William Congreve for more than twenty years, until his sudden death in 1999. This was a task he had taken over from Herbert Davis, to whom this edition is dedicated. During that time McKenzie uncovered new verse and letters, collated Congreve's texts, recorded their complicated textual history, constructed appendices that shed light on the dramatic context in which Congreve worked, and examined how his contemporaries received Congreve's work. More importantly, McKenzie has convincingly re-evaluated Congreve's works and life to transform our image of the man and his repu...
Treading the bawds
Drawing on feminist cultural materialist theories and historiographies, ‘Treading the bawds’ analyses the collaboration between actresses Elizabeth Barry and Anne Bracegirdle and women playwrights such as Aphra Behn and Mary Pix, and traces a line of influence from the time of the first theatres royal to the rebellion that resulted in the creation of a player’s co-operative. Bush-Bailey offers a fresh approach to the history of women, seeing their neglected plays in the context of performance. By combining detailed analysis of selected plays within the broader context of a playhouse managed by its leading actresses, Bush-Bailey challenges the received historical and literary canons, including a radical solution to the mysterious identity of the anonymous playwright ‘Ariadne’. It is a story of female collaboration and influence with the spotlight focused on the very public world of women in the commercial business of theatre.
Actresses of the Restoration Period
The Restoration represents an exhilarating period of English history. With Charles II, the ‘Merry Monarch’ restored to the throne, the country saw artistic and literary talent flourish. Charles was an enthusiastic patron of the theatre and helped breathe new life into British drama, reopening the playhouses after the gray years of closure under Puritanical rule. One of the most significant innovations in Restoration theatre was the introduction of actresses on the English stage. This exciting new history is dedicated to the life and times of two of the Restoration’s most celebrated actresses: Mrs Elizabeth Barry and Mrs Anne Bracegirdle. It details their family roots, the beginnings an...
Bow Bells
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