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'As indispensable to an archaeology student as a trowel ... every student, or indeed any interested amateur, should really find a space on their shelf for this useful book' Minerva Known for being an accessible and authoritative introduction, Archaeology: Theories, Methods and Practice has been updated in the Ninth Edition to include new discoveries in archaeology, innovations in field and laboratory methods, as well as covering the latest developments in archaeological theory, from ontologies to Indigenous archaeology. Collaborating with Colin Renfrew and Paul Bahn, new co-author, Elizabeth DeMarrais, updates earlier editions' clear presentation of archaeology's history, theory and ethics. The contributions made by women, people of colour, and Indigenous communities to the study of the human past are highlighted. New theoretical sections address Indigenous archaeology, ontology, post-colonial theory and historical archaeology. Sections on the safeguarding of intangible cultural heritage and the changing role of museums are included. The Ninth Edition includes broader coverage of approaches to identity, ethnicity, and the archaeology of the modern world.
Contemporary art and modern archaeology are increasingly seen to share much common ground yet their interactions have yet to be fully investigated. This innovative volume explores key themes, including the role of display in art, in the practice of archaeology and in daily life, and the material transformations which underlie the physical reality of the archaeological record as much as the creative processes of the contemporary artist. Prominent practising artists Simon Callery and Antony Gormley provide seminal papers considering the role of materiality and embodiment in their own work, exploring issues that are directly relevant to current archaeological thinking. They are joined by archaeologists actively involved with visual approaches, including Anwen Cooper, Christopher Evans, Steven Mithen, Joshua Pollard, Nicholas Saunders, Aaron Watson and the editorial trio. The book is lavishly illustrated in colour.
What is the relationship between mind and ideas on the one hand, and the material things of the world on the other? In recent years, researchers have rejected the old debate about the primacy of the mind or material, and have sought to establish more nuanced understandings of the ways humans interact with their material worlds. In this volume alternative approaches are presented, deriving from a wide variety of theoretical perspectives. Contributors debate the significance of key thresholds in the human past, including sedentism, domestication, and the emergence of social inequality and their impact on changing patterns of human cognition, symbolic expression, and technological innovation. In its global coverage and its broad theoretical scope, this landmark volume offers an innovative and comprehensive assessment of current thinking and future directions.
Anthropologist Brighton (Maryland) offers a historical archaeological investigation of the diaspora of Ireland, reflecting the migration of Irish immigrants to the US during a turbulent period in Irish history from the mid-1840s to the 1850s. Brighton's work is the first to offer a study through an archaeological lens connecting Irish communities spanning two continents and covering four sites: two in Ireland, specifically, in County Roscommon, and two in the US, the Five Points section of Manhattan, New York, as well as the historically Irish community in Paterson, New Jersey. There have been some recent diasporic studies on Irish migrations of the 19th century, such as Catherine Nash's Of ...
A Companion to Ethnicity in the Ancient Mediterranean presents a comprehensive collection of essays contributed by Classical Studies scholars that explore questions relating to ethnicity in the ancient Mediterranean world. Covers topics of ethnicity in civilizations ranging from ancient Egypt and Israel, to Greece and Rome, and into Late Antiquity Features cutting-edge research on ethnicity relating to Philistine, Etruscan, and Phoenician identities Reveals the explicit relationships between ancient and modern ethnicities Introduces an interpretation of ethnicity as an active component of social identity Represents a fundamental questioning of formally accepted and fixed categories in the field
In Mississippian Culture Heroes, Ritual Regalia, and Sacred Bundles, archaeologists analyze evidence of the religious beliefs and ritual practices of Mississippian people through the lens of indigenous ontologies and material culture. Employing archaeological, ethnographic, and ethnohistoric evidence, the contributors explore the recent emphasis on iconography as an important component for interpreting eastern North America’s ancient past. The research in this volume emphasizes the animistic nature of animals and objects, erasing the false divide between people and other-than-human beings. Drawing on an array of empirical approaches, the contributors demonstrate the importance of understanding beliefs and ritual and the significance of investigating how people in the past practiced religion and ritual by crafting, circulating, using, and ultimately decommissioning material items and spaces, including ceramic effigies, rock art, sacred bundles, shell gorgets, stone figurines, and symbolic weaponry.
Andean peoples recognize places as neither sacred nor profane, but rather in terms of the power they emanate and the identities they materialize and reproduce. This book argues that a careful consideration of Andean conceptions of powerful places is critical not only to understanding Andean political and religious history but to rethinking sociological theories on landscapes more generally. The contributors evaluate ethnographic and ethnohistoric analogies against the material record to illuminate the ways landscapes were experienced and politicized over the last three thousand years.
Archaeology’s Visual Culture explores archaeology through the lens of visual culture theory. The insistent visuality of archaeology is a key stimulus for the imaginative and creative interpretation of our encounters with the past. Balm investigates the nature of this projection of the visual, revealing an embedded subjectivity in the imagery of archaeology and acknowledging the multiplicity of meanings that cohere around artifacts, archaeological sites and museum displays. Using a wide range of case studies, the book highlights how archaeologists can view objects and the consequences that ensue from these ways of seeing. Throughout the book Balm considers the potential for documentary imag...
The Resurrection Plate, a Late Classic Maya dish, is decorated with an arresting scene. The Maize God, assisted by two other deities, emerges reborn from a turtle shell. At the center of the plate, in the middle of the god’s body and aligned with the point of emergence, there is a curious sight: a small, neatly drilled hole. Art historian Andrew Finegold explores the meanings attributed to this and other holes in Mesoamerican material culture, arguing that such spaces were broadly understood as conduits of vital forces and material abundance, prerequisites for the emergence of life. Beginning with, and repeatedly returning to, the Resurrection Plate, this study explores the generative potential attributed to a wide variety of cavities and holes in Mesoamerica, ranging from the perforated dishes placed in Classic Maya burials, to caves and architectural voids, to the piercing of human flesh. Holes are also discussed in relation to fire, based on the common means through which both were produced: drilling. Ultimately, by attending to what is not there, Vital Voids offers a fascinating approach to Mesoamerican cosmology and material culture.