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The Lead Books of Granada
Hailed as early Christian texts as important as the Dead Sea Scrolls, yet condemned by the Vatican as Islamic heresies, the Lead books of Granada, written on discs of lead and unearthed on a Granadan hillside, weave a mysterious tale of duplicity and daring set in the religious crucible of sixteenth-century Spain. This book evaluates the cultural status and importance of these polyvalent, ambiguous artefacts which embody many of the dualities and paradoxes inherent in the racial and religious dilemmas of Early Modern Spain. Using the words of key individuals, and set against the background of conflict between Spanish Christians and Moriscos in the late fifteen-hundreds, The Lead Books of Granada tells a story of resilient resistance and creative ingenuity in the face of impossibly powerful negative forces, a resistance embodied by a small group of courageous, idealistic men who lived a double life in Granada just before the expulsion of the Moriscos.
The Moor's Last Stand
In 1482, Abu Abdallah Muhammad XI became the twenty-third Muslim King of Granada. He would be the last. This is the first history of the ruler, known as Boabdil, whose disastrous reign and bitter defeat brought seven centuries of Moorish Spain to an end. It is an action-packed story of intrigue, treachery, cruelty, cunning, courtliness, bravery and tragedy. Basing her vivid account on original documents and sources, Elizabeth Drayson traces the origins and development of Islamic Spain. She describes the thirteenth-century founding of the Nasrid dynasty, the cultured and stable society it created, and the feuding which threatened it and had all but destroyed it by 1482, when Boabdil seized th...
The King and the Whore
This study explores the extraordinary afterlife of the Spanish legend of King Roderick and La Cava in plays, poems, novels and operas from the Eighth century to the present day.
Lost Paradise
'The true paradises are the paradises we have lost, ' wrote Marcel Proust. This beautifully illustrated account of the historical city of Granada strikes at the heart of this message. The Andalusian city of Granada has long cast its spell on visitors. In the ninth centruy, the Muslim sage Abd al-Malik described it as a place of enchantment, while a later poet, Ibn Zamrak, sang of it as a city that wears a crown upon its forehead, bejewelled with diamond stars. From the early Middle Ages to the present, foreign travellers have been bewitched by Granada's peerless beauty. Granada is also the stuff of story and legend, with an unforgettable history to match. Romans, then Visigoths, settled here...
The Crucible of Light
A Simon & Schuster eBook. Simon & Schuster has a great book for every reader.
A Companion to the Libro de Buen Amor
Severin), and the application to the Libro of modern critical approaches, drawing on Mikhail Bakhtin, folklore studies, chaos theory, and reader-reception theory (Elizabeth Drayson, Laurence de Looze, Louise O. Vasvari)."--BOOK JACKET.
Lost Paradise
The essential history of an iconic European city, by Cambridge academic Elizabeth Drayson. 'An admirable achievement... [Drayson has] expertise as a scholar and command as a storyteller' BBC History Magazine 'A glittering homage to one of the world's most beautiful and storied cities' Dan Jones 'Beauty built on blood and brutality... A fascinating new tome' Daily Mail From the early Middle Ages to the present, foreign travellers have been bewitched by Granada's peerless beauty. The Andalusian city is also the stuff of story and legend, with an unforgettable history to match. Romans, then Visigoths, settled here, as did a community of Jews; in the eleventh century a Berber chief made Granada ...
City of Illusions
Granada is a deceptive city, concealing a layered past and a complex character. The last Muslim capital in Western Europe, over the centuries it has captured hearts and imaginations, inspiring countless myths and legends. Yet its history reveals even more fascinating tales: secrets and follies, victory and failure, poetry and art. City of Illusions brings together Granada's many stories--the archaeological forger, the renegade French general, the garrotted liberal heroine, the Jewish poet who served two Muslim rulers. This colourful cast of characters takes us from the founding eleventh-century dynasty and the building of the Alhambra, through the Reconquista, French occupation and Spanish Civil War, right up to the present day. Granada's history has long been fought over, rewritten, idealised or buried. This rich, elegant book sets the record straight on a beautiful, elusive city, with all its quirks, mysteries, intrigues and triumphs.
Kingdoms of Faith
Prior accounts have portrayed Islamic Spain either as a paradise of enlightened tolerance, or as the site where civilisations clashed. Award-winning historian Brian A. Catlos taps a wide array of original sources to paint a more complex picture, showing how Muslims, Christians, and Jews together built a sophisticated civilisation that transformed the Western world, even as they waged relentless war against each other and amongst themselves. Religion was often the language of conflict, but seldom its cause--a lesson we would do well to learn in our own time.Kingdoms of Faith rewrites Spain's Islamic past from the ground up, evoking the cultural splendour of al-Andalus and the many forces that shaped it.
Premodern Rulers and Postmodern Viewers
Pop culture portrayals of medieval and early modern monarchs are rife with tension between authenticity and modern mores, producing anachronisms such as a feminist Queen Isabel (in RTVE’s Isabel) and a lesbian Queen Christina (in The Girl King). This book examines these anachronisms as a dialogue between premodern and postmodern ideas about gender and sexuality, raising questions of intertemporality, the interpretation of history, and the dangers of presentism. Covering a range of famous and lesser-known European monarchs on screen, from Elizabeth I to Muhammad XII of Granada, this book addresses how the lives of powerful women and men have been mythologized in order to appeal to today’s audiences. The contributors interrogate exactly what is at stake in these portrayals; namely, our understanding of premodern rulers, the gender and sexual ideologies they navigated, and those that we navigate today.
