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Register of Carolina Huguenots, Vol. 1, Bacot - Dupont
This book in 4 volumes lists approximately 22,000 descendants of 81 of the original 400 Huguenot immigrants to Carolina, arriving around 1685. For each immigrant, an Individual Summary is provided, and all known descendants are listed by generation for up to 10 generations , showing names and dates. The Index in Volume 4 can be used to find if you are descended from these 81 Huguenot immigrants. No sourcing or documented evidence of relationship is provided and the authors do not guarantee accuracy. However, the data has been carefully checked from many sources and can be used as the basis for further genealogical research and documentation.
Museum Media
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The Vexations of Art
Now available in paperback A major art historian reflects on a great tradition of European painting. "The Vexations of Art is an engrossing, passionate attempt to re-engage with painting as a mode of thought at a time when 'it is not clear in what form the resource of painting?for surely painting has been a singular resource of the greater European culture?will continue."?Jackie Wullschlager, Financial Times "[A] fascinating book that will surely generate discussion for some time to come."?Mindy Nancarrow, Renaissance Quarterly
Catalogue
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The Lives of Dwarfs
"The Lives of Dwarfs is extraordinary in its range and vision. Beautifully written. Totally absorbing."--Ursula Hegi, author of Stones from the River "As a little person, husband, and father of a little person, I dream of the day when dwarfs attain full acceptance in society. The Lives of Dwarfs provides a giant step in that direction."--Rick Spiegel, former president of Little People of America "This important book makes it possible for both average- and short-statured people to challenge our collective understanding of dwarfism as a synonym for diminishment or as an array of cute and evil fairy-tale figures. The libratory work of this book is to invite us all to reimagine dwarfism as a liv...
Images of Rule
This is a fascinating and highly readable account of the vital role the visual arts played in Great Britain during the Tudor and early Stuart monarchies. David Howarth examines the intersection of art and political power between the accession of the Tudors and the outbreak of civil war and draws on images of the Royal court to fashion his innovative cultural and political history. Howarth concentrates on the public uses and political exploitation of Renaissance art, rather than its quality or the creative process behind it. He argues that the English ruling class used and manipulated portraiture, architecture, the decorative arts, and spectacle in order to reinforce its own power and preserv...
