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The past twenty years have witnessed a renewal of interest in feminist activism on both sides of the Atlantic. In part this has been a response to neoliberal and neoconservative attacks, both implicit and explicit, on the gains made by feminists during the 1960s and 70s. This study adds a comparative dimension to the ongoing analysis of feminism and feminist activism by mapping, analysing and theorising third wave feminisms in the US and Britain. A key addition to Gender and Politics literature, it explores third wave feminisms by situating them within a specific political context, neoliberalism, and in relation to feminist theories of intersectionality, both of which present radical opportunities and practical challenges for feminism and the feminist movement. Elizabeth Evans is Lecturer in Politics at the University of Bristol. Her research focuses on gender and politics, including engagement with formal processes and political activism. She has published widely on aspects of feminism, gender and politics, and her previous book, Gender and the Liberal Democrats, was published in 2011.
Reveals how changing ideas about gender and race shaped - and were shaped by - London and its literature.
The future world has been divided into sectors—each the same as the other. Surrounded by thick steel fences, there is no way in and no way out. Yet a cyborg army penetrates each sector, picking off its citizens one by one, until no one is left. Behind the sectors’ thick walls, the citizens wait to die. Few will be chosen to survive what’s coming; the rest will be left behind to suffer. A new world has been created and its rulers are incredibly selective on who will become a citizen. They want only those with important roles in society to help create a more perfect future. Sixteen-year-old Sia lives in one of the sectors as part of a family that is far too ordinary to be picked to live....
Drunk, and driving a van down a Florida highway, Carter Clay, a Vietnam vet at loose ends, irrevocably shatters the lives of the Altiz family, killing Joe and seriously injuring his wife, Katherine, and their daughter, Jersey, in a hit-and-run accident. Horrified, Clay seeks redemption, while still concealing his culpability, by becoming the questionable caretaker of the two survivors' damaged lives--eventually imposing upon them the baggage of his past and his haphazard faith in God. Suspenseful, psychologically complex, and inhabited by characters that will haunt your memory long after you have turned the last page, Carter Clay is a finely wrought tale of the frailty of identity and the possibility of redemption.
"This book offers a new, interdisciplinary model for understanding audience engagement as a type of behaviour, a form of response and a cost to audiences that, combined, offer value to the screen industries. It offers a way of understanding audience engagement that is not restricted to a single media, but instead accounts for and adapts to the various ways in which screen content is experienced. Offering a unique approach by presenting practitioner and audience perspectives, it is perfect for students and scholars working in film and television studies, as well as media industries and audience studies"--
Examining the ways in which feminist and queer activists confront privilege through the use of intersectionality, this edited collection presents empirical case studies from around the world to consider how intersectionality has been taken up (or indeed contested) by activists in order to expose and resist privilege. The volume sets out three key ways in which intersectionality operates within feminist and queer movements: it is used as a collective identity, as a strategy for forming coalitions, and as a repertoire for inclusivity. The case studies presented in this book then evaluate the extent to which some, or all, of these types of intersectional activism are used to confront manifestat...
Queen of the fae courts. Faced with an impossible battle. Destined to never be with the Unseelie I love. The magical tea has worn off. My eyes are wide open. And it's with horror that I realize the fate of two realms rests on my shoulders after my mother's ultimate sacrifice to trap Rubezahl in Underhill. Terrified humans clamoring for answers, whispered rumors from both Seelie and Unseelie, and a stepmother who seeks the throne for surprising reasons are the least of my troubles. Rubezahl has returned far sooner than I thought possible. I'm not ready. I can't win this. And not only that... He has something crucial if we are to win. He's taken something I cannot live without. The place of th...
The early years of the twenty-first century have seen dramatic changes within the television industry. The development of the internet and mobile phone as platforms for content directly linked to television programming has offered a challenge to the television set’s status as the sole domestic access point to audio-visual dramatic content. Viewers can engage with ‘television’ without ever turning a television set on. Whilst there has already been some exploration of these changes, little attention has been paid to the audience and the extent to which these technologies are being integrated into their daily lives. Focusing on a particular period of rapid change and using case studies in...
Provides in-depth analysis of the life, works, career, and critical importance of Anne Tyler.
How do archaeologists and artists reimagine what life was like during the Greek Bronze Age? How do contemporary conditions influence the way we understand the ancient past? This innovative book considers two imaginative restorations of the ancient world that test the boundaries of interpretation and invention by bringing together the discovery of Minoan culture by the British archaeologist Sir Arthur Evans (1851–1941) and the work of the Turner Prize–winning video artist Elizabeth Price (b. 1966). Featured essays examine Evans’s interpretation and restoration of the Knossos palace and present fresh photography of Minoan artifacts and archival photographs of the dig alongside beautiful,...