You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This book describes how and why women were permitted to act on the public stage after 1660 in England.
There are about 103 stories and short poems in this volume, written for children
In the summer of 1992, Jeremy Howe and his wife, Lizzie, were tending to last-minute holiday preparations. Lizzie was leaving to teach at a summer school before she could join Jeremy and their two daughters, Jessica, six and Lucy, four, at the seaside. That night, arriving at his mother’s in Suffolk, Jeremy managed to get the excited girls to go to sleep, irritated that their mother hadn't called to say goodnight as she had promised. Just after midnight the household was woken by a policeman who had come to tell them that Lizzie was dead. She had been murdered. Twenty years after that terrible night, Jeremy and his girls are not the people they might have been had Lizzie not died. They’r...
Before the Restoration of Charles II there were no professional actresses on the English stage, and female roles had almost always been played by men. This book describes how and why women were permitted to act on the public stage after 1660, and the consequences of their arrival. Elizabeth Howe opens up a fascinating subject to nonspecialists. Beginning with a general account of the workings of Restoration theater, she explains the treatment received by the actresses and how their sexuality was exploited. The book addresses questions that are relevant to women's issues in every period: how far did the advent of women players alter dramatic portrayals of women? Did this encourage more or less equality between the sexes? Although in one sense merely playthings for a small male elite, the pioneering actresses also represent a new female voice in society and a new place in discourse.
While clearing out her grandmother's cottage for sale, Connie Goodwin finds a parchment inscribed with the name Deliverance Dane. And so begins the hunt to uncover the woman behind the name, a hunt that takes her back to Salem in 1692 . . . and the infamous witchcraft trials. But nothing is entirely as it seems and when Connie unearths the existence of Deliverance's spell book, the Physick Book, the situation takes on a menacing edge as interested parties reveal their desperation to find this precious artefact at any cost. What secrets does the Physick Book contain? What magic is scrawled across its parchment pages? Connie must race to answer these questions - and reveal the truth about Salem's women - before an ancient family curse once more fulfils its dark and devastating prophecy . . .
This comprehensive volume reviews women's contributions to theatre history and examines how theatre has represented women over the centuries.
Reprint of the original, first published in 1882.