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Shortt, Elizabeth Smith.
Erin Elizabeth Smith's Down is immediately a delight. Refreshing in its take on Alice's Adventures in Wonderland, the reader discovers here the odd world and new experience that Smith draws them "down" into. The fall that seems endless takes us into Tennessee, where "petals doodle lawns / like the drawings of girls" or where "grey squirrels / chase themselves into their trees." This isn't exactly Lewis Carroll surrealism, but the narrator of these poems takes us into her incantations and dreamscapes, where suddenly she looks at her spouse lying on the sofa and sees "a foreign // thing, a stammering king / made kitten in the shaking." Waking does not necessarily relieve the narrator, nor us. Rather, she writes, "I am still falling / through the slippery leaves / every bit of anorexic ice, / still waking like a child roused / in the backseat, unsure where I am / in the fragile, new dark." And, like Alice, curiouser and curiouser, the trip down means we may rise up, that "it can heal us again."
In 1925 Leonard Rhinelander, the youngest son of a wealthy New York society family, sued to end his marriage to Alice Jones, a former domestic servant and the daughter of a "colored" cabman. After being married only one month, Rhinelander pressed for the dissolution of his marriage on the grounds that his wife had lied to him about her racial background. The subsequent marital annulment trial became a massive public spectacle, not only in New York but across the nation--despite the fact that the state had never outlawed interracial marriage. Elizabeth Smith-Pryor makes extensive use of trial transcripts, in addition to contemporary newspaper coverage and archival sources, to explore why Leonard Rhinelander was allowed his day in court. She moves fluidly between legal history, a day-by-day narrative of the trial itself, and analyses of the trial's place in the culture of the 1920s North to show how notions of race, property, and the law were--and are--inextricably intertwined.
"One hundred and fifty years ago Elizabeth Smith, the Scottish-born wife of a west Wicklow landlord, was keeping a daily record of household, local, national and even international events, written primarily for her children when they grew up. The views expressed are therefore totally frank and uninhibited ... [it gives] a contemporary account of everyday life in mid-nineteenth century Ireland."--Back cover.
In the crisp, early morning hours, the police are called to a suspected murder at a farm outside a small English village. A beautiful young woman has been found dead, blood all over the cottage she lives in. At the same time, police respond to a reported female suicide, where a car has fallen into a local quarry. As DCI Louisa Smith and her team gather the evidence, they discover a link between these two women, a link which has sealed their dreadful fate one cold night, under a silent moon. Told in a unique way, using source documents that allow readers to interpret the evidence alongside DCI Louisa Smith and her team, Under a Silent Moon is an unsettling and compulsively readable novel that will keep you gripped until the very last page.
As we celebrate her Diamond jubilee, this new biography of Queen Elizabeth II is the first all-round up-close picture of one of the most fascinating, enigmatic and admired women in the world.
In her debut poetry collection, Jasmine Elizabeth Smith takes inspiration from Oklahoma Black history. In the wake of the Tulsa Race Massacre of 1921, Jim Waters makes the difficult decision to leave behind his lover, Beatrice Vernadene Chapel, who as a Black woman must navigate the dangerous climate that produced the Jim Crow South and Red Summer. As Beatrice and Jim write letters to one another and hold imagined conversations with blues musicians Ida B. Cox, Robert Johnson, Charlie Patton, Ethel Waters, and the ghosts of Greenwood, the couple interrogates themes of blues epistemology, Black feminism, fraught attachments, and the way in which Black Americans have often changed their geographical regions with the hope of improving their conditions. The poetry collection South Flight is a eulogy, a blues, an unabashed love letter, and ragtime to the history of resistance, migration, and community in Black Oklahoma.