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The long-awaited, inspirational guide to life for a generation of black British women inspired to make lemonade out of lemons, and find success in every area of their lives.
Like their predecessors, and like their male counterparts, most women philosophers of the 20th century have significant expertise in several specialities. Moreover, their work represents the gamut of 20th century philosophy's interests in moral pragmatism, logical positivism, philosophy of mathematics, of psychology, and of mind. Their writings include feminist philosophy, classical moral theory reevaluated in light of Kant, Mill, and the 19th century feminist and abolitionist movements, and issues in logic and perception. Included in the fourth volume of the series are discussions of L. Susan Stebbing, Edith Stein, Hedwig Conrad Martius, Simone de Beauvoir, Simone Weil, Mary Whiton Calkins, Gerda Walther, and others. While pre-20th century women philosophers were usually self-educated, those of the 20th century had greater access to academic preparation in philosophy. Yet, for all the advances made by women philosophers over two and a half millennia, the philosophers discussed in this volume were sometimes excluded from full participation in academic life, and sometimes denied full professional academic status.
A single mom--and her twin babies!--are snowbound with the boss. Can they melt his frozen heart? When Tessa Randall sues CEO Dragan Markovic's company for unfair termination, he insists on hearing her side of the story. But the billionaire known as The Dragon gets more than he bargained for when he's stranded at his snowy Alaskan lodge with Tessa and her twin toddlers. Now the flame-haired beauty wants to uncover his story. How can he tell her that her children remind him of his harrowing past and all that he lost? Or that the sweet family of three is slowly melting The Dragon's frozen heart...
Richard Lane was one of three brothers who founded Penguin Books in 1935. But like all great stories, his life didn't start there. After sailing to Adelaide in 1922, Richard began work as a boy migrant - a farm apprentice living in rural South Australia as part of the 'Barwell Boys' scheme. In Australia, he deepened his appreciation for literature, and understood how important it was to make good writing widely accessible. Richard's diaries - the honest and moving words of a teenager, so very far away from home - capture vividly his life and loves; the characters he met; the land he worked; the families he depended on; and his coming of age in a new land. A remarkable social record and one of the best first-hand accounts of the child migrant experience, the diaries also capture the ideas and the entrepreneurship that led to the founding of the twentieth century's most famous publishing house. With a foreword by eminent Australian historian Geoffrey Blainey, Richard Lane's diaries are an important document for the history of rural Australia and global publishing 'One of the most revealing stories yet written about rural life in Australia.' Geoffrey Blainey
What began as a list of names, a box of documents, a number of family Bibles, and idle curiosity gradually evolved into a book about the settlement of Virginia and the western conquest of the great Valley of the Shenandoah, the birth of the New River settlements, and the emergence of the Watauga and Holston pioneers on the western slopes of the Appalachian Mountains. Placing the generations into a format of historic events began to bring these fugitives from the European wars and catastrophes into focus as real people. Since this story concerns the early foundation of this nation, the author did not choose to go back beyond the immigration from Europe. In a few cases, however, where the mate...
We'll Always Have the Movies explores how movies made in Hollywood during World War II were vehicles for helping Americans understand the war. Far from being simplistic, flag-waving propaganda designed to evoke emotional reactions, these films offered audiences narrative structures that formed a foundation for grasping the nuances of war. These films asked audiences to consider the implications of the Nazi threat, they put a face on both our enemies and allies, and they explored changing wartime gender roles. We'll Always Have the Movies reveals how film after film repeated the narratives, character types, and rhetoric that made the war and each American's role in it comprehensible. Robert L...
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In New York Times bestselling author Elizabeth Boyle's fourth novel in the Rhymes With Love series, a resolute young woman goes toe-to-toe with the Beast of Mayfair She has no desire for love . . . As she arrives in Mayfair, Louisa Tempest is horrified when her incorrigible cat bolts from the carriage and dashes into a neighbor's house, where she comes face-to-face with the reclusive Viscount Wakefield. But even more dismaying than his foul temper is the disarray in which she finds his home. Convinced his demeanor would improve if his household were in order, Louisa resolves to put everything to rights. . . . until she meets the viscount who lives down the lane Much to his chagrin, Wakefield finds it impossible to keep the meddling Louisa out of his home, invading his daily life with her "improvements," and his nights with the tempting desires she sparks inside him. Wounded in the war, he's scorned society ever since his return . . . until Louisa opens the door to his heart and convinces him to give love a second chance.