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Modernism à la Mode
Modernism à la Mode argues that fashion describes why and how literary modernism matters in its own historical moment and ours. Bringing together texts, textiles, and theories of dress, Elizabeth Sheehan shows that writers, including Virginia Woolf, D.H. Lawrence, W.E.B. Du Bois, Nella Larsen, and F. Scott Fitzgerald, turned to fashion to understand what their own stylized works could do in the context of global capital, systemic violence, and social transformation. Modernists engage with fashion as a mood, a set of material objects, and a target of critique, and, in doing so, anticipate and address contemporary debates centered on the uses of literature and literary criticism amidst the su...
Cultures of Femininity in Modern Fashion
An interdisciplinary collection illuminating how fashion shaped concepts and practices of femininity and modernity
African American Literature in Transition, 1920-1930: Volume 9
This book analyses historical, literary, and cultural shifts in African American literature from the 1920s-1930s.
A Companion to the Harlem Renaissance
A Companion to the Harlem Renaissance presents a comprehensive collection of original essays that address the literature and culture of the Harlem Renaissance from the end of World War I to the middle of the 1930s. Represents the most comprehensive coverage of themes and unique new perspectives on the Harlem Renaissance available Features original contributions from both emerging scholars of the Harlem Renaissance and established academic “stars” in the field Offers a variety of interdisciplinary features, such as the section on visual and expressive arts, that emphasize the collaborative nature of the era Includes “Spotlight Readings” featuring lesser known figures of the Harlem Renaissance and newly discovered or undervalued writings by canonical figures
The Oxford Handbook of Virginia Woolf
A Handbook on Woolf's achievements as an innovative novelist and pioneering feminist theorist. It studies her life, her works, her relationships with other writers, her professional career, and themes in her work including among others feminism, sexuality, education, and class.
Transatlantic Women
Highlights the social and textual complexity of the transatlantic world for American women writers
Fashion and Feeling
Fashion and Feeling: The Affective Politics of Dress explores the complex nexus of fashion and the feeling body from a variety of critical perspectives across fashion studies, anthropology, sociology, design practice, and media studies. It asks such questions as: What does fashion look and feel like in an age dominated by amplified anxiety, isolation, depression, and precariousness? How are feelings woven into clothing and mobilized through fashion practices in ways that might sustain living with a sense of ongoing crisis? Does fashion have the potential to help us reimagine new lifeworlds which might be reinvigorating? In other words, how is fashion engaging with the “bad,” the “good,” and the ambivalent feelings associated with our personal and collective histories, with our troubled political present, and with our imagined future? Despite such diverse and scattered contributions, the potentialities of “feeling” for the study of fashion are still largely neglected. This edited volume seeks to tease out possible avenues of investigation of the clothed body and its representations through the lens of feeling.
Fever Reading
An intricate account of how the early U.S. public sphere was shaped by debates over "good" and "bad" forms of reading, including pornographic reading, scandal reading, and religious reading
The Parvenu's Plot
In this very readable volume, Stephanie Foote gathers a range of print sources--from novels by Edith Wharton and Henry James to gossip columns, fashion magazines, popular novels, and etiquette manuals--to ask how the realist period understood the individual experience of class. Examining the female arriviste (the parvenu of the title) in turn-of-the-century New York (where a supposedly stable elite was threatened by the nouveaux riches), Foote shows how class became more than just an economic position: it was a fundamental part of individual identity, exemplified by a shifting set of social behaviors that form the core of many nineteenth-century novels. She persuasively presents the female parvenu as a key figure in turn-of-the-century culture that embodies the volatility of social standing and the continuing project of structuring and justifying it.
Virginia Woolf and the Common(wealth) Reader
Edited collection from acclaimed contemporary Woolf scholars, addressing the theme of Virginia Woolf and the Commonwealth reader.
