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England in Europe
In England in Europe, Elizabeth Tyler focuses on two histories: the Encomium Emmae Reginae, written for Emma the wife of the Æthelred II and Cnut, and The Life of King Edward, written for Edith the wife of Edward the Confessor. Tyler offers a bold literary and historical analysis of both texts and reveals how the two queens actively engaged in the patronage of history-writing and poetry to exercise their royal authority. Tyler's innovative combination of attention to intertextuality and regard for social networks emphasizes the role of women at the centre of Anglo-Saxon and Anglo-Norman court literature. In doing so, she argues that both Emma and Edith's negotiation of conquests and factionalism created powerful models of queenly patronage that were subsequently adopted by individuals such as Queen Margaret of Scotland, Countess Adela of Blois, Queen Edith/Matilda, and Queen Adeliza. England in Europe sheds new lighton the connections between English, French, and Flemish history-writing and poetry and illustrates the key role Anglo-Saxon literary culture played in European literature long after 1066.
England in Europe
In England in Europe, Elizabeth Tyler focuses on two histories: the Encomium Emmae Reginae, written for Emma the wife of the Æthelred II and Cnut, and The Life of King Edward, written for Edith the wife of Edward the Confessor. Tyler offers a bold literary and historical analysis of both texts and reveals how the two queens actively engaged in the patronage of history-writing and poetry to exercise their royal authority. Tyler’s innovative combination of attention to intertextuality and regard for social networks emphasizes the role of women at the centre of Anglo-Saxon and Anglo-Norman court literature. In doing so, she argues that both Emma and Edith’s negotiation of conquests and factionalism created powerful models of queenly patronage that were subsequently adopted by individuals such as Queen Margaret of Scotland, Countess Adela of Blois, Queen Edith/Matilda, and Queen Adeliza. England in Europe sheds new lighton the connections between English, French, and Flemish history-writing and poetry and illustrates the key role Anglo-Saxon literary culture played in European literature long after 1066.
Medieval Historical Writing
History writing in the Middle Ages did not belong to any particular genre, language or class of texts. Its remit was wide, embracing the events of antiquity; the deeds of saints, rulers and abbots; archival practices; and contemporary reportage. This volume addresses the challenges presented by medieval historiography by using the diverse methodologies of medieval studies: legal and literary history, art history, religious studies, codicology, the history of the emotions, gender studies and critical race theory. Spanning one thousand years of historiography in England, Wales, Ireland and Scotland, the essays map historical thinking across literary genres and expose the rich veins of national mythmaking tapped into by medieval writers. Additionally, they attend to the ways in which medieval histories crossed linguistic and geographical borders. Together, they trace multiple temporalities and productive anachronisms that fuelled some of the most innovative medieval writing.
Language and Culture in Medieval Britain
The essays in this volume form a new cultural history focused round, but not confined to, the presence and interactions of francophone speakers, writers, readers, texts and documents in England from the 11th to the later 15th century.
Conceptualizing Multilingualism in England, C.800-c.1250
Throughout the period 800-1250, English culture was marked by linguistic contestation and pluralism: the consequence of migrations and conquests and of the establishment and flourishing of the Christian religion centred on Rome. In 855 the Danes 'over-wintered' for the first time, re-initiating centuries of linguistic pluralism; by 1250 English had, overwhelmingly, become the first language of England. Norse and French, the Celtic languages of the borderlands, and Latin competed with dialects of English for cultural precedence. Moreover, the diverse relations of each of these languages to the written word complicated textual practices of government, poetics, the recording of history, and lit...
Old English Poetics
A new approach to the study of Old English Poetry, featuring close reading of the text, its form and style. Traditions are created and maintained by groups of people living in specific times and places: they do not have a life of their own. In this radical new approach to Old English poetics, the author argues that the apparent timelessness and stability of Old English poetic convention is a striking historical phenomenon that must be accounted for, not assumed, and that the perceived conservatism of Old English poetic conventions is the result of choice. Successive generations of poets deliberately maintained the traditionality of Old English poetry, putting it into dialogue with contemporary conditions to express critique and dissent as well as nostalgia. The author makes particularuse of the rich language of treasure to be found in Anglo-Saxon verse to historicise her argument, but her argument has wide implications for how we approach the role of tradition in the poetry of earlier societies. DrELIZABETH TYLER teaches in the Department of English and the Centre for Medieval Studies, University of York.
Treasure in the Medieval West
Studies highlight the importance of treasure, real and metaphorical, in medieval culture.
Narrative and History in the Early Medieval West
The papers gathered in this volume were all given in 1999 - at the International Congress on Medieval Studies in Kalamazoo, at the International Medieval Congress in Leeds and during a day conference held at York. They agree that looking at the wide range of narrative forms available provides new ways of viewing the Middle Ages.
Migrants in Medieval England, C. 500-c. 1500
This is a ground-breaking volume into the phenomenon of migration in and to England over the medieval millennium. A series of subject specialists synthesise and extend recent research in a wide range of disciplines and marks an important contribution to medieval studies, and to modern debates on migration and the free movement of people.
The Clock Winder
'Her brilliance in capturing the ripples on the surface of family life gives her a claim to be the Jane Austen of our age' Daily Mail Having sacked her handyman, newly-widowed Mrs Emerson finds a replacement in Elizabeth, a lanky, awkward girl. The Emersons, with their seven adult children, have a reputation for craziness, and Elizabeth finds herself drawn into their disorderly lives against her will. But in the end it is hard to tell whether she is a victim of the needy Emersons, or the de facto ruler of the family. **ANNE TYLER HAS SOLD OVER 8 MILLION BOOKS WORLDWIDE** 'Anne Tyler takes the ordinary, the small, and makes them sing' Rachel Joyce 'She knows all the secrets of the human heart' Monica Ali 'A masterly author' Sebastian Faulks 'I love Anne Tyler. I've read every single book she's written' Jacqueline Wilson
