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Poetry is often understood as a form that resists translation. Translation as Muse questions this truism, arguing for translation as a defining condition of Catullus's poetry and for this aggressively marginal poet's centrality to comprehending cultural transformation in first-century Rome. Young approaches translation from several different angles including the translation of texts, the translation of genres, and translatio in the form of the pan-Mediterranean transport of people, goods, and poems. Throughout, she contextualizes Catullus's corpus within the cultural foment of Rome's first-century imperial expansion, viewing his work as emerging from the massive geopolitical shifts that marked the era. Young proposes that reading Catullus through a translation framework offers a number of significant rewards: it illuminates major trends in late Republican culture, it reconfigures our understanding of translation history, and it calls into question some basic assumptions about lyric poetry, the genre most closely associated with Catullus's eclectic oeuvre.
An exuberant skeptic, Elizabeth Marie Young writes in the infidel hope that writing itself can create worlds. These hilariously erudite prose poems are cosmologies--miniature, ever-expanding universes crammed with over-active particulars. They are interactive environments, kaleidoscopic and incorrigibly changeable, in which competing impulses toward cerebral austerity and luxuriant beauty battle it out. These poems crystallize into radiant geometries even as they threaten to self-destruct: distinctly utopian, pulsing with the defiant exuberance of drag and disco and steeped in the lemonade oceans of Charles Fourier. Antiquity lingers as a locus of incomprehensibility, startling us into novelty. Elizabeth Marie Young coins new myths, drawing in classical material only to see how it looks wrestling in the mud with surfers, yogis, and cyborgs.
In 1558 while imprisoned in a remote castle, a young girl becomes involved in a series of events that leads to an underground labyrinth peopled by the last practitioners of druidic magic.
The story of how Elizabeth II became queen. 'Rich with princess anecdotes... Williams's book weaves the Second World War, vast social change and the royal upheaval of abdication and celebration of coronation into energised, nostalgic storytelling' SUNDAY TELEGRAPH 'Fascinating insights into Elizabeth's relationship with her sister also make this a worthwhile, enjoyable read' DAILY TELEGRAPH We can hardly imagine a Britain without Elizabeth II on the throne. It seems to be the job she was born for. And yet for much of her early life the young princess did not know the role that her future would hold. She was our accidental Queen. As a young girl, Elizabeth was among the guests in Westminster ...
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Peggy Grahame moves to New York State to live with Uncle Enos, and meets several ghosts, who relate to her the history of her uncle's ancestral home.
"This is Alice. She was taken by Ray five years ago. She thought she knew how her story would end. She was wrong."-- [P.4] Cover.
Covers receipts and expenditures of appropriations and other funds.
Christian County had published a county history in 1841 by Perin and again another by Charles Meachem in 1930. Both of these histories had a limited biography section in them. Under the leadership of president Lon Bostick, the Genealogical Society of Christian County and the many devoted people of the county at large, gave untiringly of their time and knowledge to compile and have published a third history of Christian County in 1986 which is primarily a family history with much social history. The people responded well with material and the book was getting so large that we had to stop receiving family histories. This left many without the opportunity to get their families recorded. Late in 1990, Lon had a job started and was not complete therefore the Odd Fellows of Green River Lodge #54 of Hopkinsville and Jewel Rebekah Lodge #14 (the auxiliary of the Odd Fellows) met and voted to compile and have published a continuation of Volume I of the Family Histories to be titled Edition I of Family Histories of Christian County.
In Pet Projects, Elizabeth Young joins an analysis of the representation of animals in nineteenth-century fiction, taxidermy, and the visual arts with a first-person reflection on her own scholarly journey. Centering on Margaret Marshall Saunders, a Canadian woman writer once famous for her animal novels, and incorporating Young’s own experience of a beloved animal’s illness, this study highlights the personal and intellectual stakes of a “pet project” of cultural criticism. Young assembles a broad archive of materials, beginning with Saunders’s novels and widening outward to include fiction, nonfiction, photography, and taxidermy. She coins the term “first-dog voice” to descri...