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This volume catalogues more than 400 decorative objects in the Robert Lehman Collection at The Metropolitan Museum of Art, including painted enamels, snuffboxes, porcelain, pottery, ceramics, jewellery, furniture, cast metal, and textiles from throughout Europe and Asia, with the majority dating from the late seventh century to the 20th century.
A companion to the Getty’s prize-winning exhibition catalogue Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, this volume contains thirteen selected papers presented at two conferences held in conjunction with that exhibition. The first was organized by the Getty Museum, and the second was held at the Courtauld Institute of Art under the sponsorship of the Courtauld Institute and the Royal Academy of Arts. Added here is an essay by Margaret Scott on the role of dress during the reign of Charles the Bold. Texts include Lorne Campbell’s research into Rogier van der Weyden’s work as an illuminator, Nancy Turner’s investigation of materials and methods of painting in Flemish manuscripts, and trenchant commentary by Jonathan Alexander and James Marrow on the state of current research on Flemish illumination. A recurring theme is the structure of collaboration in manuscript production. The essays also reveal an important new patron of manuscript illumination and address the role of illuminated manuscripts at the Burgundian court. A series of biographies of Burgundian scribes is featured.
“There is a myth in the United States—you’ve heard it many times. It says that all American mothers hope that their child will grow up to be President of the United States...” —Barbara Bush Not since Abigail Adams has one woman been both the wife and mother of presidents. Barbara Bush’s prominent place in American history is matched only by her extraordinary popularity: Republicans and Democrats alike appreciate her wit, her compassion, and her devotion to her family. Dignified, loyal, and unpretentious, the former First Lady defied skeptics to become one of the most admired first ladies in history—and she remains a beloved public figure today. In this inspiring follow-up to he...
The collection of drawings at the Getty Museum was started in 1981 with the purchase of Rembrandt’s Nude Woman with a Snake and has steadily expanded since then, so that now, at the turn of the new millennium, it stands at more than six hundred drawings and is, sheet for sheet, one of the best anywhere. The Getty goal is to create from the finest examples a collection of the different Western European schools of drawing before 1900, with special emphasis on the work of the most important and accomplished draftsmen. The collection now contains superb examples of the work of Leonardo da Vinci, Raphael, Michelangelo, Dürer, Rembrandt, Claude Lorraine, Watteau, Gainsborough, David, Millet, Ma...
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Although the idea of excess has often been used to degrade, many of the essays in this collection demonstrate how it has also been used as a strategy for self-fashioning and empowerment, particularly by women and queer subjects. This volume examines a range of material - including ceramics, paintings, caricatures, interior design and theatrical performances - in various global contexts. Each case study sheds new light on how excess has been perceived and constructed, revealing how beliefs about excess have changed over time.
The films of John Waters (b. 1946) are some of the most powerful send-ups of conventional film forms and expectations since Luis Buñuel and Salvador Dali's Un Chien Andalou. In attempting to reinvigorate the experience of movie-going with his shock comedy, Waters has been willing to take the chance of offending nearly everyone. His characters have great dignity and resourcefulness, taking what's different or unacceptable or grotesque about themselves, heightening it and turning it into a handmade personal style. The interviews collected here span Waters's career from 1965 to 2010 and include a new one exclusive to this edition. Waters began making films in his hometown of Baltimore in 1964....
This comprehensive volume presents the topic of water resources of Mexico from a different angle. Besides covering the geohydrology it also offers a brief account of the ancient water resources works, explains from where the water is coming, how the water is being used in homes and in the industry, how the dams are operated in the hurricane season, some aspects of the water-energy-food securities nexus and the expectations for the future in connection with global climate change. The book is of interest to every one connected with the water resources of Mexico, e.g. federal and state employees of agencies related with water management, water supply and wastewater treatment. It is also of value to those in academia and employed at water related professional associations and the general public.