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In this ground-breaking book, a theory of ’distortion’ - of the way in which the processes of human life are subject to interference, diversion and transformation - is developed by way of the art of one of Britain’s greatest twentieth-century painters and that art’s public reception. Devoted to his native village of Cookham-on-Thames, Stanley Spencer painted not only landscapes and portraits with loving detail but also the ’memory-feelings’ which he felt were a ’sacred’ part of his consciousness. Yet Spencer was also a controversial public figure, with some taking the view that his visionary paintings were ugly distortions of human life, even marks of an immoral nature. Exami...
Appointed in 1938, Sir John Rothenstein was the first director of the Tate to embrace modern art, mounting a series of daring exhibitions and procuring a procession of audacious masterworks that, in the words of one contemporary, ‘completely knocked the stuffiness out of that veritable institution.' So why, since he died in 1991, has his name become a byword for reactionary conservatism? The answer is that from the outset of his career, Rothenstein refused to bow to the patriarchs of the avant-garde. In the 1920s, while they were busy decrying the figurative tradition, Rothenstein was championing a brilliant generation of artists whose work remained firmly rooted within it. In the 1930s, w...
Although Caraman's name is familiar to Catholics, his energies were spread among may activities, so he is not easily pigeon-holed. Apart from his religious vocation, he was a writer. His research was original and valuable, not just on the early English Catholics, but on Jesuit history (the missions in Paraguay, Ethiopia and Tibet). He forwarded the cause of the canonization of the English martyrs, and, more surprisingly, spent years in Norway trying to establish a Catholic toehold there.
Offers an overview of the key theories in criminology with a focus on the contributions of the critical perspective.
This text explores de Maistre's work in the context of the art produced in England from 1930-1968. It discusses the light shed on current concerns in art and theory and reproduces many of de Maistre's work. It is a sequel to the book "Roy de Maistre: The Australian Years 1894-1930."
Peter Egeler was born 17 August 1801 in Urweiler, Germany. His parents were Johann Egeler (b. 1762) and Anna Elisabeth Maldener. He married Eva Schrass in 1828 in Kaiserslautern, Germany. They had eight children. They emigrated in about 1835. Peter died in 1860 in Bucks Township, Tuscarawas, Ohio. Descendants and relatives lived mainly in Ohio.
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