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Land of Black Clay
Land of Black Clay takes place largely in the rural township of Sap(r), a town in the northeast Brazilian state of Para ba, many hundreds of miles north-northeast of Rio de Janeiro. The main character, Jorge Elias, is a newspaper reporter from Rio de Janeiro who is assigned to cover a news story in Sap(r). A judge, Odilon Fernandes, has reopened the case of a farmworker union organizer whose murder local landowners ordered. The initial investigation into the murder was perfunctory, but now, the possibility of justice is given a second chance. Land of Black Clay is a political-adventure novel reminiscent of the material from which such Costa-Gavras movies as Z and Missing were made. Though this is a work of fiction, such union leaders as Jouo Pedro Teixeira and Margarida Maria Alves actually lived. The land barons and their friends are fictional, as are the events themselves. Boson Books also offers a translation of Childhood of the Dead by Jose Louzeiro. For an author bio and photo, reviews and a reading sample, visit bosonbooks.com."
A Century of Brazilian Documentary Film
Since the late nineteenth century, Brazilians have turned to documentaries to explain their country to themselves and to the world. In a magisterial history covering one hundred years of cinema, Darlene J. Sadlier identifies Brazilians’ unique contributions to a diverse genre while exploring how that genre has, in turn, contributed to the making and remaking of Brazil. A Century of Brazilian Documentary Film is a comprehensive tour of feature and short films that have charted the social and political story of modern Brazil. The Amazon appears repeatedly and vividly. Sometimes—as in a prize-winning 1922 feature—the rainforest is a galvanizing site of national pride; at other times, the ...
Listening to Others
Listening to Others is the first English-language volume dedicated solely to the vast corpus of the preeminent Brazilian director, Eduardo Coutinho (1933–2014). From his early work in the 1960s to his last, posthumous film in 2015, Coutinho transformed documentary filmmaking in Brazil and beyond. Described as an informal linguist and savage anthropologist, Coutinho filmed encounters with people different from himself that foregrounded their voices and his role as an attentive listener, creating a "cinema of listening." This collection brings together leading scholars of film, literature, visual culture, Brazilian studies, and Latin American studies, from the United States and Latin America...
Painful Diabetic Polyneuropathy
Painful diabetic polyneuropathy is the most common and disturbing of painful conditions experienced by people with diabetes. As the diabetes rate continues to grow, the number of people suffering from painful diabetic polyneuropathy will as well – increasing both patient suffering and demands on healthcare resources. Painful Diabetic Polyneuropathy covers all aspects of these painful disorders from pathophysiology and diagnosis, treatment and prevention, future approaches and the nursing perspective, to billing issues and the patient’s experience. Written by experts in their fields, each chapter presents the full perspective of these painful disorders with an emphasis on evidence-based scientific information. Painful Diabetic Polyneuropathy is a comprehensive resource for general and family medicine practitioners, neurologists and pain medicine specialists. It will also serve as a resource for patients for education, support, and treatment sites.
Ana M. López
Ana M. López is one of the foremost film and media scholars in the world. Her work has addressed Latin American filmmaking in every historical period, across countries and genres—from early cinema to the present; from Brazil, Cuba, and Mexico to diasporic and Latinx cinemas in the United States; from documentary to melodrama to politically militant film. López's groundbreaking essays have transformed Latin American film studies, opening up new approaches, theoretical frameworks, and lines of investigation while also extending beyond cinema to analyze its connections with television, radio, and broader cultural phenomena. Bringing together twenty-five essays from throughout her career, including three that have been translated into English for this volume, Ana M. López is divided into three sections: the transnational turn in Latin American film studies; analysis of genre and modes; and debates surrounding race, ethnicity, and gender. Expertly curated and edited by Laura Podalsky and Dolores Tierney, the volume includes introductory material throughout to map and situate López's key interventions and to aid students and scholars less familiar with her work.
Magical Reels
On Latin American cinema.
Encyclopedia of the Documentary Film 3-Volume Set
The Encyclopedia of the Documentary Film is a fully international reference work on the history of the documentary film from the Lumière brothers' Workers Leaving the Lumière Factory (1885) to Michael Moore's Fahrenheit 911 (2004). This Encyclopedia provides a resource that critically analyzes that history in all its aspects. Not only does this Encyclopedia examine individual films and the careers of individual film makers, it also provides overview articles of national and regional documentary film history. It explains concepts and themes in the study of documentary film, the techniques used in making films, and the institutions that support their production, appreciation, and preservation.
Directory of World Cinema: Brazil
Best known to international audiences for its carnivalesque irreverence and recent gangster blockbusters, Brazilian cinema is gaining prominence with critics, at global film festivals and on DVD shelves. This volume seeks to introduce newcomers to Brazilian cinema and to offer valuable insights to those already well versed in the topic. It brings into sharp focus some of the most important movements, genres and themes from across the eras of Brazilian cinema, from cinema novo to musical chanchada, the road movie to cinema de bordas, avant-garde to pornochanchada. Delving deep beyond the surface of cinema, the volume also addresses key themes such as gender, indigenous and diasporic communities and Afro-Brazilian identity. Situating Brazilian cinema within the country's changing position in the global capitalist system, the essays consider uneven modernization, class division, dictatorship, liberation struggles and globalization alongside questions of entertainment and artistic innovation.
