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Aldo Leopold was known to advocate a love of sport as a catalyst for conservation, and his own preference was the sport of fly fishing. But fly fishing is not just a religious or spiritual endeavour. It is also a sport essential to the conservation movement. No fly fisherman wishes to wade into rivers full of stormwater, to cast for invasive Asian carp. Freshwater anglers have been foundational to the preservation and management of freshwater fisheries and waters for centuries. To Leopold s land ethic, fly fishing adds an aquatic vitality. Surveys of fly fishing culture reveal that the sport ranks among the highest for experiences of nature and understanding of ecology. So, it s not surprising that fly fishing, and organizations like Trout Unlimited, has influenced fisheries management, conservation, and restoration in coldwater systems across the world. Backcasts reels these important topics in by exploring the intersection of conservation and fly fishing, in its history, present, and potential future."
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No. 3 of each volume contains the annual report and minutes of the annual meeting.
In modern Western society horses appear as unexpected visitors: not quite exotic, but not familiar either. This estrangement between humans and horses is a recent one since, until the 1930s, horses were fully present in the everyday world. Indeed, as well as performing utilitarian functions, horses possessed iconic appeal. But, despite the importance of horses, scholars have paid little attention to their lives, roles and meanings. This volume helps to redress the balance. It considers the value that the influential elite placed on horses as essential accompaniments to their way of life and as status symbols, as well as the role that horses played in society as a whole and the people who used and cared for them. Contributors include Greg Bankoff, Pia F. Cuneo, Louise Hill Curth, Amanda Eisemann, Jennifer Flaherty, Ian F. MacInnes, Richard Nash, Gavin Robinson, Elizabeth Anne Socolow, Sandra Swart, Elizabeth M. Tobey, Andrea Tonni, and Elaine Walker.
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Reprint of the original, first published in 1882.