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Liontaming in America
A spiraling, staggering new collection of historical and mythic reinvention (and Elizabeth Willis’s first book with New Directions) “To disrupt the relationship of predator and prey, to reshape one’s relation to power, is to renovate the lived and living world,” Elizabeth Willis writes in her visionary work that delves deep into the ancient enchantments and disciplinary displays of the circus. Liontaming in America investigates the utopian aspirations fleetingly enacted in the polyamorous life of a nineteenth-century Mormon community, interweaving archival and personal threads with the histories of domestic labor, extraction economies, and the performance of family in theater, film, and everyday life. Lines reverberate between worldliness and devotion, between Peter Pan and Close Encounters, between Paul Robeson and Maude Adams, between leaps of faith and passionate alliances, between everyday tragedy and imaginative social possibility. As Willis writes in her afterword to the book, “The repeated unmaking and remaking of America, as a concept and as an ongoing textual project, is not impossible. It is happening all the time.”
Alive
Finalist for the 2016 Pulitzer Prize in Poetry American poet Elizabeth Willis has written an electrifying body of work spanning more than twenty years. With a wild and inquisitive lyricism, Willis—“one of the most outstanding poets of her generation” (Susan Howe)—draws us into intricate patterns of thought and feeling. The intimate and civic address of these poems is laced with subterranean affinities among painters, botanists, politicians, witches and agitators. Coursing through this work is the clarity and resistance of a world that asks the poem to rise to this, to speak its fury.
Turneresque
Poetry. A long-awaited new title from Elizabeth Willis, who was born in 1961 in Awali, Bahrain and grew up primarily in Eau Claire, Wisconsin. She currently teaches at Wesleyan University after teaching for many years at Mills College in Oakland. "Nothing is moving but me: I'm a blackbird. The neighbor's in labor, but so am I, pushing against the road. Physics tells us nothing is lost, but I've been copping time from death and can't relent for every job the stars drop on my back"-from "September 9". SPD also carries THE HUMAN ABSTRACT, SECOND LAW, and A/O by Elizabeth Willis.
Address
Winner of the Laurence L. & Thomas Winship / PEN New England Award (2012) Address draws us into visible and invisible architectures, into acts of intimate and public address. These poems are concentrated, polyvocal, and sharply attentive to acts of representation; they take personally their politics and in the process reveal something about the way civic structures inhabit the imagination. Poisonous plants, witches, anthems, bees—beneath their surface, we glimpse the fragility of our founding, republican aspirations and witness a disintegrating landscape artfully transformed. If a poem can serve as a kind of astrolabe, measuring distances both cosmic and immediate, temporal and physical, it does so by imaginative, nonlinear means. Here, past and present engage in acts of mutual interrogation and critique, and within this dynamic Willis's poetry is at once complexly authoritative and searching: "so begins our legislation." Check for the online reader's companion at http://address.site.wesleyan.edu.
Malevolent Nurture
In Malevolent Nurture, Deborah Willis explores the dynamics of witchcraft accusation through legal documents, pamphlet literature, religious tracts, and the plays of Shakespeare.
The Royal Exhibition Building, Melbourne
This guidebook is an introduction to the rich history of the Royal Exhibition Building, Melbourne, over the last 127 years. The Royal Exhibition Building was built in 1880 to host the international exhibition and proclaimed to the world that Melbourne was an international city. The building's significance has been recognised by its inclusion on UNESCO's World Heritage List.
Reading Duncan Reading
In Reading Duncan Reading, thirteen scholars and poets examine, first, what and how the American poet Robert Duncan read and, perforce, what and how he wrote. Harold Bloom wrote of the searing anxiety of influence writers experience as they grapple with the burden of being original, but for Duncan this was another matter altogether. Indeed, according to Stephen Collis, “No other poet has so openly expressed his admiration for and gratitude toward his predecessors.” Part one emphasizes Duncan’s acts of reading, tracing a variety of his derivations—including Sarah Ehlers’s demonstration of how Milton shaped Duncan’s early poetic aspirations, Siobhán Scarry’s unveiling of the man...
How to Fail: Everything I’ve Ever Learned From Things Going Wrong
Inspired by her hugely popular podcast, How To Fail is Elizabeth Day’s brilliantly funny, painfully honest and insightful celebration of things going wrong.
People of the Risen King
St Jude's in Carlton is now one of the largest and most diverse parishes in the Anglican Diocese of Melbourne. People of the Risen King tells the story of the founding, early growth, faltering, survival and renewal of this inner-suburban Christian community over the last one hundred and fifty years.
O'Nights
"In Cecily Parks' beautiful poems, the natural world teeters between being and seeming—the seeming a simulacrum projected onto the world by a mind's yearning, taxonomy and dread. Deeply metaphysical, and deeply attentive to our spiritual as well as physical uses and abuses of nature, O'Nights implicates language's —indeed, lyric poetry's—sad role in this endeavor."—Susan Wheeler In O'Nights, Cecily Parks constructs stunning manifestations of a modern Thoreauvian wilderness, investigating how the natural world gives shape to the self, body, and emotions. These lyrical, transcendental poems study the duality of nature's feminine and masculine identities, and in its simplicity, offers a...
