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Elizabeth Wright
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Lacan and Postfeminism
Jacques Lacan is known as 'the French Freud' and is the key figure of postmodern psychoanalysis.
Psychoanalytic Criticism
What is psychoanalytic criticism and how can it be justified as a type of criticism in its own right? In this new and thoroughly revised edition of her classic textbook, Elizabeth Wright provides a cogent answer to this question and a wide-ranging introduction to psychoanalytic criticism from Freud to the present day. Since each school of psychoanalysis has its own theory of the aesthetic process, the field is complex. Adopting a critical perspective, Elizabeth Wright focuses on major figures and texts in psychoanalysis and in literary and art criticism: classical psychoanalysis; Jungian analytic psychology; objects-relations theory; French psychoanalysis; French anti-psychoanalysis; feminis...
«Eighth Sister No More»
When founded in 1911, Connecticut College for Women was a pioneering women's college that sought to prepare the progressive era's «new woman» to be self-sufficient. Despite a path-breaking emphasis on preparation for work in the new fields opening to women, Connecticut College and its peers have been overlooked by historians of women's higher education. This book makes the case for the significance of Connecticut College's birth and evolution, and contextualizes the college in the history of women's education. «Eighth Sister No More» examines Connecticut College for Women's founding mission and vision, revealing how its grassroots founding to provide educational opportunity for women was...
A Brief Study Course in Homoeopathy
In this edition we have included authors another interesting article, The value and Relation of Diet to our Homoeopathic Remedies&.!
Postmodern Brecht
In this radical and deliberately controversial re-reading of Brecht, first published in 1989, Elizabeth Wright takes a new view of the playwright, giving us a more ‘Brechtian’ reading than so far achieved and making his work historically relevant here and now. The author discusses in detail Brecht’s principle theories and concepts in the light of poststructuralist theory, and reassess the aesthetics and politics with regard to Marxist critics of his own day. Wright includes a re-reading of Brecht’s early works, which presents them in relation to a postmodern theatre, and gives critical analyses of the work of Pina Bausch, Robert Wilson, and Heiner Müller, who use the techniques of performance theatre, showing how they deconstruct Brecht’s distinction between illusion and reality and point to a postmodern understanding of their dialectical relation.
From Fancy Pants to Getting There
Elizabeth Wright had it all. A comfortable life, successful business, house, handsome partner and beautiful baby. Then things screwed up. She discovered that the man in her life was being unfaithful, and her prosperous pet centre crashed into a financial black hole. At fifty-two, and menopausal, she was reduced to being a single mum on benefits with the stigma of bankruptcy. Left with just a negative equity house harnessed to a hefty mortgage, she had to face an impoverished lifestyle along with a succession of jobs which either folded or relocated. In this hilarious book she recounts how she quickly learnt to juggle work and child care, keep an ancient car on the road that already had one w...
