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While the social and cultural history of the early modern military has greatly advanced in the last few decades, the religious dimension of the military life in the Holy Roman Empire between 1500 and 1650 has hardly been explored. The Reformation brought profound political, social and cultural upheavals, but the religiosity of the men and women who followed the Christian life in the chaos of war still represents a large gap in the historiography. Faith in War shows that confessional antagonisms lost much of their meaning during war and coexistence became a fact of army life. Connecting military and civilian social and cultural history in these ways, Nikolas Funke’s case study on this period brings new life to important current historiographical discussions in a military context, including stereotyping, confessionalization, social discipline, deviance, toleration, religious violence, and the culture of death.
Many facets of disasters generate interest among scholars and practitioners. However, a vital area of disaster research is consistently underemphasized. Little is written about the immediate and long-term impacts on a community‘s livelihood systems and the customs and practices of the culture affected. Disaster‘s Impact on Livelihood and Cultural S
This book examines Syrian displacement since the start of the 2011 conflict. It provides information on displacement (the scale, scope and trends), and in-depth analysis on how it affects regional politics; the role of international organizations responding to the displaced; and EU/US responses to Syrian displacement. It relates Syrian displacement to broader peace strategies, arguing that displacement is not a mere symptom or byproduct of the conflict, but a key variable that must be addressed with any peace plan or strategy for ending the conflict and rebuilding Syria. Thus, the way refugees are dealt with is not just a humanitarian concern, but also a political, security and economic issue.
When children experience upheaval and trauma, adults often view them as either vulnerable and helpless or as resilient and able to easily “bounce back.” But the reality is far more complex for the children and youth whose lives are suddenly upended by disaster. How are children actually affected by catastrophic events and how do they cope with the damage and disruption? Children of Katrina offers one of the only long-term, multiyear studies of young people following disaster. Sociologists Alice Fothergill and Lori Peek spent seven years after Hurricane Katrina interviewing and observing several hundred children and their family members, friends, neighbors, teachers, and other caregivers....
Why is the past so dominant in the present? This book conceptualizes collective memory as currency, a medium of exchange, a system in common use, and one that is traded between and within nations. Bringing together contemporary case studies and multidisciplinary scholarship, this volume shows how past events are used and perceived as a commodity and a substantially fungible marketable item produced to satisfy wants or needs, their supply or demand being a part of one universal market. This book provides readers with a broader understanding of the power of the past in the present. Specific past events are incarnated into collective memories that can transform into iconic, almost mythical stor...
1. Comparative oral history of two communist movements with a focus on rank-and-file experience 2. Written from the child's perspective 3. Construction of a communist identity around themes including aspirations and prescriptions, gender roles and sexuality, and values and morality
America in the early twentieth century was rife with threats. Organized crime groups like the Mafia, German spies embedded behind enemy lines ahead of World War I, package bombs sent throughout the country, and the 1920 Wall Street bombing dominated headlines. Yet the story of the one man tasked with combating these threats has yet to be told. The Bulldog Detective: William J. Flynn and America’s First War Against the Mafia, Spies, and Terrorists is the first book to tell the story of Flynn, the first government official to bring down the powerful Mafia, uncover a sophisticated German spy ring in the United States, and launch a formal war on terrorism on his way to becoming one of the most...
This book examines three exhibitions of contemporary art held at the Vienna Künstlerhaus during the period of National Socialist rule and shows how each attempted to culturally erase elements anathema to Nazi ideology: the City, the Jewess and fin-de-siècle Vienna. Each of the exhibits was large scale and ambitious, part of a broader attempt to situate Vienna as the cultural capital of the Reich, and each aimed to reshape cultural memory and rewrite history. Applying illuminating theories on memory studies, collective and public memory, and notions of "memoricide," this is the first book in English to focus on visual culture in the period when Austria was erased as a nation and incorporated into the Third Reich as "Ostmark." The organization, content and publications surrounding these three exhibits are explored in depth and set against the larger political changes and dangerous ideologies they reflect. The book will be of interest to scholars working in art history, museum studies, cultural history, memory studies, art and politics and Holocaust studies.
In ‘Rode kameraden’ vertelt Rob Hartmans de kleurrijke geschiedenis van het communisme in Nederland in de twintigste eeuw. De twintigste eeuw was de ‘eeuw van de ideologieën’, politieke bewegingen die een totale omwenteling van de politieke en maatschappelijke verhoudingen propageerden, waarvan het fascisme en het communisme het meest extreem waren. De Communistische Partij van Nederland (CPN) was een ogenschijnlijk brave democratische stroming. Maar in het geheim werden er scenario’s gemaakt voor als de Russische broeders Nederland zouden komen ‘bevrijden’. In ‘Rode kameraden’ vertelt Rob Hartmans de kleurrijke geschiedenis van het communisme in Nederland in de twintigste eeuw.
Erasures and Eradications in Modern Viennese Art, Architecture and Design challenges the received narrative on the artists, exhibitions, and interpretations of Viennese Modernism. The book centers on three main erasures—the erasure of Jewish artists and critics; erasures relating to gender and sexual identification; and erasures of other marginalized figures and movements. Restoring missing elements to the story of the visual arts in early twentieth-century Vienna, authors investigate issues of gender, race, ethnic and sexual identity, and political affiliation. Both well-studied artists and organizations—such as the Secession and the Austrian Werkbund, and iconic figures such as Klimt a...