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Getting Into the Act
Getting Into the Act is a vigorous and refreshing account of seven female playwrights who, against all odds, enjoyed professional success in the late eighteenth and early nineteenth century. Ellen Donkin relates fascinating, disturbing tales about the male theatre managers to whom they were indebted, and the trials and prejudices they endured, ranging from accusations of plagiarism to sexual harassment. This scarred turbulent early history still resonates in the late twentieth-century. The current ratio of female to male playwrights is virtually unchanged. Old patterns of male control persist, and playwriting continues to be a hazardous occupation for women. But within these scarred earlier histories there are equally powerful narratives of self-revelation, endurance, and professional triumph that may point to a new way forward. Getting Into the Act is entertaining and informative reading for anyone, from scholar to general reader, who is interested in the history and gender politics of the stage.
Glorious Causes
Glorious Causes explores the politics of theatricality and the theatricality of politics in late Georgian Britain, at a time when the British nation can be described as a stage for reform. Political rhetoric during this period was characterized by a rich vocabulary, drawing on theatrical language and forms, from melodrama and tragedy, to comedy and burlesque. Most importantly, activity in the theaters themselves, often dismissed until recently as vulgar or sentimental, was highly charged with political dynamic and controversy, central to the drama of reform.
Women and Playwriting in Nineteenth-Century Britain
This collection of essays recovers the names and careers of nineteenth-century women playwrights.
Women's Romantic Theatre and Drama
As theatre and drama of the Romantic Period undergo a critical reassessment among scholars internationally, the contributions of women as playwrights, actresses, and managers are also being revalued. This volume, which brings together leading British, North American, and Italian critics, is a crucial step towards reclaiming the importance of women's dramatic and theatrical activities during the period. Writing for the theatre implied assuming a public role, a hazardous undertaking for women who, especially after the French Revolution, were assigned to the private, primarily domestic, sphere. As the contributors examine the covert strategies women used to become full participants in the publi...
Women in British Romantic Theatre
First published in 2000, this collection of essays focuses on women theatre artists in the romantic period.
Upstaging Big Daddy
Challenges established notions of the director's craft and disrupts conventional interpretations of "the canon"
Romantic Theatricality
Pascoe adduces the theatrical posturing of the Della Cruscan poets, the staginess of the Marie Antoinette depicted in women's poetry, and the histrionic maneuverings of participants in the 1794 treason trials. Such public events as the trials also linked the newly powerful role of female theatrical spectator to that of political spectator. New forms of self-representation and dramatization arose as a result of that synthesis.
The Theatre of Shelley
Based on the author's thesis (Ph.D., Anglia Ruskin University).
Critical Theory and Performance
The first comprehensive survey of the major critical currents and approaches in the lively field of performance studies
Hamlet’s Hereditary Queen
This book explores a fresh and insightful interpretation of Hamlet’s Gertrude as a prominent and powerful figure in the play. It shows how traditional readings of this character, both performance-based and scholarly, have been guided and constrained by misogynistic perspectives on female power. Bringing together the author’s wealth of insight from a theatre practitioner’s perspective and combining it with a scholarly perspective, the book argues that Gertrude need not be limited to sex and motherhood. She could instead be played as Denmark’s blood royal Queen, her role in the play then being about female political power. Gertrude’s royal status could play out on stage through a var...
