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Glorious Causes
Glorious Causes explores the politics of theatricality and the theatricality of politics in late Georgian Britain, at a time when the British nation can be described as a stage for reform. Political rhetoric during this period was characterized by a rich vocabulary, drawing on theatrical language and forms, from melodrama and tragedy, to comedy and burlesque. Most importantly, activity in the theaters themselves, often dismissed until recently as vulgar or sentimental, was highly charged with political dynamic and controversy, central to the drama of reform.
Romantic Theatricality
Pascoe adduces the theatrical posturing of the Della Cruscan poets, the staginess of the Marie Antoinette depicted in women's poetry, and the histrionic maneuverings of participants in the 1794 treason trials. Such public events as the trials also linked the newly powerful role of female theatrical spectator to that of political spectator. New forms of self-representation and dramatization arose as a result of that synthesis.
Critical Theory and Performance
The first comprehensive survey of the major critical currents and approaches in the lively field of performance studies
Hamlet’s Hereditary Queen
This book explores a fresh and insightful interpretation of Hamlet’s Gertrude as a prominent and powerful figure in the play. It shows how traditional readings of this character, both performance-based and scholarly, have been guided and constrained by misogynistic perspectives on female power. Bringing together the author’s wealth of insight from a theatre practitioner’s perspective and combining it with a scholarly perspective, the book argues that Gertrude need not be limited to sex and motherhood. She could instead be played as Denmark’s blood royal Queen, her role in the play then being about female political power. Gertrude’s royal status could play out on stage through a var...
Joanna Baillie, a Literary Life
Much of the biography is based on Baillie's now published letters (FDUP, 1999) to family members, literary figures, scientists, religious leaders, artists, and friends in England, Scotland, and the United States; and her correspondence is supplemented with further biographical evidence and with critical commentary on her works."--BOOK JACKET.
Symbolic Interactions
"Regina Hewitt enlists analogies between the "symbolic interactions" prompted by the selected writers and the concepts of "symbolic interaction" still evolving from the sociology of Jane Addams, George Herbert Mead, and others. These practitioners recover a belief in the social efficacy of literature that was accepted during the predisciplinary Romantic Era but contested throughout much of the twentieth century. Hewitt's revisionist readings advocate the renewal of literary interventionism in our post-disciplinary age, and demonstrate the active involvement of Baillie, Scott and Landor in contemporary social and legal reform."--BOOK JACKET.
Spheres of Action
Spheres of Action examines the significant intersections between language and performance during the Romantic period.
The History of British Women's Writing, 1830-1880
This volume charts the rise of professional women writers across diverse fields of intellectual enquiry and through different modes of writing in the period immediately before and during the reign of Queen Victoria. It demonstrates how, between 1830 and 1880, the woman writer became an agent of cultural formation and contestation, appealing to and enabling the growth of female readership while issuing a challenge to the authority of male writers and critics. Of especial importance were changing definitions of marriage, family and nation, of class, and of morality as well as new conceptions of sexuality and gender, and of sympathy and sensation. The result is a richly textured account of a radical and complex process of feminization whereby formal innovations in the different modes of writing by women became central to the aesthetic, social, and political formation of British culture and society in the nineteenth century.
The Cambridge History of British Theatre
Publisher Description
Silver Fork Novels, 1826-1841 Vol 6
The novels in this collection present a vivid picture of late-Regency society clinging to modes of behaviour which soon became obsolete and mark an important point of transition to Victorian cultural values.
