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The New Joyce Studies
"While, from the outside, Joyce studies might appear monolithic, from within, it is manifold, divergent, and lively. The sixteen essays in this volume indicate an expanded and interconnected conversation that brings into relation hitherto distant locales and types of criticism. Taking European, African, Latin American, trans-continental and global perspectives, these essays work within and between a range of critical approaches and vantage points. Many of them engage in new ways with the discussions of Irish history and politics begun by in the mid-nineties by scholars such as Emer Nolan, Vincent J. Cheng, Marjorie Howes, and Derek Attridge. These historical and political concerns have continued to bear fruit in recent years, as evidenced by works by Cheng, Luke Gibbons, and Andrew Gibson. Several of the essays in this volume bring these concerns into relation with issues such as queerness, race, and transnational literary relations. Others examine issues of composition and publication, copyright law, translation, and the history of modernist criticism"--
Narrating Irish Female Development, 1916–2018
Narrating Irish Female Development, 1916-2018 studies narratives of Irish female and feminized development, arguing that these postmodern narratives present Irish female maturation as disordered and often deliberately disorderly. The first full-length study of the Irish female coming of age story, the book develops a feminist psychoanalytic narratology, derived from the belated oedipalization of Joyce’s bildungsheld, to read these stories. This study argues that all Irish maturation stories are shaped by the uneven and belated maturation story of the Irish republic itself, which took as its avatar the Irish woman, whose citizenship in that republic was unrealized, as indeed was her citizenship in an Irish republic of letters. Dougherty takes the writing of Irish women as seriously as other critics have taken Joyce’s work.
The Sinful Maternal
Pregnancy, birth, and postpartum recovery are challenging experiences that impact women’s physical, mental, and emotional health in ways that have been historically minimalized, dismissed, or neglected. A mother’s body becomes a public body, physically and politically not her own, instead shared by her spouse, her children, and those around her. Her body, therefore, makes the perfect vessel for an invasive presence—or possession. The Sinful Maternal: Motherhood in Possession Films examines the role of mothers and motherhood in ten possession films, including Rosemary’s Baby, The Exorcist, The Babadook, and Hereditary. Chapters discuss the work of such directors as James Wan, Jennifer...
The Politics of Aesthetics
This book suggests that modern cultural and critical institutions have persistently associated questions of aesthetics and politics with literature, theory, technics, and Romanticism. Its first section examines aesthetic nationalism and the figure of the body, focusing on writings by Benedict Anderson, J. G. Fichte, and Matthew Arnold, and arguing that uneasy acts of aestheticization (of media technology) and abjection (of the maternal body) undergird the production of the national body as “imagined community.” Subsequent chapters on Paul de Man, Friedrich Schlegel, and Percy Shelley explore the career of the gendered body in the aesthetic tradition and the relationship among aesthetics, technics, politics, and figurative language. The author accounts for the hysteria that has characterized media representations of theory, explains why and how Romanticism has remained a locus of extravagant political hopes and anxieties, and, in a sequence of close readings, uncovers the “anaesthetic” condition of possibility of the politics of aesthetics.
Modern Irish Literature and the Primitive Sublime
Modern Irish Literature and the Primitive Sublime reveals the primitive sublime as an overlooked aspect of modern Irish literature as central to Ireland’s artistic production and the wider global cultural production of postcolonial literature. A concern for and anxiety about the primitive persists within modern Irish culture. The “otherness” within and beyond Ireland’s borders offers writers, from the Celtic Revival through independence and partition to post-9/11, a seductive call through which to negotiate Irish identity. Ultimately, the disquieting awe of the primitive sublime is not simply a momentary recognition of Ireland’s primitive indigenous history but a repeated rhetorical gesture that beckons a transcendent elation brought about by the recognition of the troubled, ritualistic and sacrificial Irish past to reveal a fundamental aspect of the capacity to negotiate identity, viewed through another but intimately reflective of the self, within the long emerging twentieth-century Irish nation.
The Irish Bildungsroman
The classical Bildungsroman charted an idealized path of human development: the harmonizing of individual desires and societal norms in the formation of a well-rounded liberal subject. But what happens when this Enlightenment blueprint for self-cultivation runs up against the particularities of a colonial society riven by nationalism, revolution, and uneven modernization? The Irish Bildungsroman provides the first comprehensive study of how this quintessentially bourgeois and European genre is transformed and reinvented by Irish writers from the Act of Union to the present day. Through incisive readings of over two centuries of Irish novels, the volume’s contributors illuminate the diverse...
Acts of Poetry
American poets’ theater emerged in the postwar period alongside the rich, performance-oriented poetry and theater scenes that proliferated on the makeshift stages of urban coffee houses, shared apartments, and underground theaters, yet its significance has been largely overlooked by critics. Acts of Poetry shines a spotlight on poets’ theater’s key groups, practitioners, influencers, and inheritors, such as the Poets’ Theatre, the Living Theatre, Gertrude Stein, Bunny Lang, Frank O’Hara, Amiri Baraka, Carla Harryman, and Suzan-Lori Parks. Heidi R. Bean demonstrates the importance of poets’ theater in the development of twentieth-century theater and performance poetry, and especially evolving notions of the audience’s role in performance, and in narratives of the relationship between performance and everyday life. Drawing on an extensive archive of scripts, production materials, personal correspondence, theater records, interviews, manifestoes, editorials, and reviews, the book captures critical assessments and behind-the-scenes discussions that enrich our understanding of the intertwined histories of American theater and American poetry in the twentieth century.
The European Metropolis
Building on the long-standing image of Paris as the "Capital of the Nineteenth Century" and the "Capital of Modernity," this book examines the city's place in the imagination of Irish women writers in the long nineteenth century.
Irish American Fiction from World War II to JFK
Irish American Fiction from World War II to JFK addresses the concerns of Irish America in the post-war era by studying its fiction and the authors who brought the communities of their youth to life on the page. With few exceptions, the novels studied here are lesser-known works, with little written about them to date. Mining these tremendous resources for the details of Irish American life, this book looks back to the beginning of the twentieth century, when the authors' immigrant grandparents were central to their communities. It also points forward to the twenty-first century, as the concerns these authors had for the future of Irish America have become a legacy we must grapple with in the present.
Joyce Writing Disability
In this book, the first to explore the role of disability in the writings of James Joyce, contributors approach the subject both on a figurative level, as a symbol or metaphor in Joyce’s work, and also as a physical reality for many of Joyce’s characters. Contributors examine the varying ways in which Joyce’s texts represent disability and the environmental conditions of his time that stigmatized, isolated, and othered individuals with disabilities. The collection demonstrates the centrality of the body and embodiment in Joyce’s writings, from Dubliners and A Portrait of the Artist as a Young Man to Ulysses and Finnegans Wake. Essays address Joyce’s engagement with paralysis, mascu...
