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Beyond Scotland
Scottish creative writing in the twentieth century was notable for its willingness to explore and absorb the literatures of other times and other nations. From the engagement with Russian literature of Hugh MacDiarmid and Edwin Morgan, through to the interplay with continental literary theory, Scottish writers have proved active participants in a diverse international literary practice. Scottish criticism has, arguably, often been slow in appreciating the full extent of this exchange. Preoccupied with marking out its territory, with identifying an independent and distinctive tradition, Scottish criticism has occasionally blinded itself to the diversity and range of its writers. In stressing ...
A Grammar of Eton
A Grammar of Eton is the first description of the Cameroonian Bantu language Eton. It is also one of the few complete descriptions of a North-western Bantu language. The complex tonology of Eton is carefully analysed and presented in a simple and consistent descriptive framework, which permits the reader to keep track of Eton's many tonal morphemes. Phonologists will be especially interested in the analysis of stem initial prominence, which manifests itself in a number of logically independent phenomena, including length of the onset consonant, phonotactic skewing and number of tonal attachment sites. Typologists and Africanists working on morphosyntax will find useful analyses of, among others, gender and agreement; tense, aspect, mood and negation; and verbal derivation. They will encounter many morphosyntactic differences between Eton and the better known Eastern and Southern Bantu languages, often due to evolutions shaped by maximality constraints on stems. The chapters on clause structure and complex constructions provide data hardly found in sources on the languages of the region, including descriptions of non-verbal clauses, focus, quasi-auxiliaries and adverbial clauses.
Novel Stages
The essays in Novel Stages examine the myriad intersections between drama and the novel in nineteenth-century France, a period when the two genres were in constant engagement with one another. The collection is unified by common intellectual concerns: the inscription of theatrical esthetics within the novel; the common practice among nineteenth-century novelists of adapting their works for the stage; and the novel's engagement with popular forms of theater. The essays provide insight into a specific aspect of the relationship between the theater and the novel in the nineteenth century. Their distinct perspectives form an overview of the literary landscape of nineteenth-century France, and demonstrate many ways in which all major nineteenth-century French novelists, including Hugo, Flaubert, Sand, and Zola, participated in the theatrical culture of their century.
De grands romanciers écrivent pour les enfants
Ce sont Henri Bosco, Jean Giono, Le Clžio, Michel Tournier et Marguerite Yourcenar auxquels est consacr, ̌ pour chacun, un chapitre document.̌ Par analyse et par entretiens avec eux, se dǧage une conception simple mais vivante de ce qu'est l'čriture vouě aux enfants.
