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Monstrous Reflection
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Disgust and Desire
Monsters have taken many forms across time and cultures, yet within these variations, monsters often evoke the same paradoxical response: disgust and desire. We simultaneously fear monsters and take pleasure in seeing them, and their role in human culture helps to explain this apparent contradiction. Monsters are created in order to delineate where the acceptable boundaries of action and emotion exist. However, while killing the monster allows us to cast out socially unacceptable desires, the prevalence of monsters in both history and fiction reveals humanity’s desire to see and experience the forbidden. We seek, write about, and display monsters as both a warning and wish fulfilment, and monsters, therefore, reveal that the line between desire and disgust is often thin. Looking across genres, subjects, and periods, this book examines what our conflicted reaction to the monster tells us about human culture.
Posthuman Subjectivity in the Novels of J.G. Ballard
This book proposes that Ballard’s novels extrapolate the formation of a posthuman subjectivity that is centred around an affirmative understanding of what a human body can do. This new subjectivity transforms constraints and prescribed desires into creative openings in a hyper-mediated control society that conditions docile bodies through technology and consumerism. Set in surrealist predicaments in postwar affluent Western societies, Ballard’s novels remind us of the fragile veneer of order in the familiar every day. In these moments of crisis, complacent characters are compelled to undergo a process of defamiliarisation and transformation of their understanding of the self and the body. The ability to form new relationships with the unfamiliar is imperative to survival in a hostile environment. Ballard delineates both the possibilities and obstacles of forming these relationships. In particular, the author attributes the failure to do so to the irreconcilable contradictions of late capitalism.
Bodies, Noise and Power in Industrial Music
This edited collection delves into the industrial music genre, exploring the importance of music in (sub)cultural identity formation, and the impact of technology on the production of music. With its roots as early as the 1970s, industrial music emerged as a harsh, transgressive, and radically charged genre. The soundscape of the industrial is intense and powerful, adorned with taboo images, and thematically concerned with authority and control. Elemental to the genre is critical engagement with configurations of the body and related power. Adopting an interdisciplinary approach, this collection analyses the treatment of subjects like the Body (animal, human, machine), Noise (rhythmic, harsh...
Cityscapes of the Future
Cityscapes of the Future: Urban Spaces in Science Fiction offers an examination of the central role played by urban spaces in science fictional narratives in various media forms from the literary to the ludic to the cinematic. Our contributors reflect on the ways diverse urban scenarios are central to the narratives’ science fictional imaginary and consider the pivotal roles cityscapes play in underscoring major thematic concerns, such as political struggles, social inequality and other cultural epistemologies. The chapters in the collection are divided into three sections examining the city and the body, cities of estrangement, and cities of the imagination.
Posthumanity: Merger and Embodiment
The chapters in this volume reflect the debates that progressed during the 4th Global Conference on Visions of Humanity in Cyberculture, Cyberspace and Science Fiction, held as a part of Cyber Hub activity in the frames of the ID.net Critical Issues research in Oxford, United Kingdom in July 2009.
Quiet Pictures
Quiet Pictures approaches the films of Joanna Hogg, Lynne Ramsay, Céline Sciamma, and Lucile Hadžhalilovicthrough the lens of silence as a motif and texture. This book takes up the question of different uses of silence in the work of these directors and how this creates a space for foregrounding innovative practices that establish new ways of looking, staring, and gazing. Sarah Artt discusses how the deliberate deployment of silence creates space for the formation of reciprocal gazes that counteract the typically gendered and binary ways in which women and femme-presenting people tend to be portrayed on screen. Quiet Pictures draws on the political legacy of feminist film theory to explore...
Toiles et Démence
Sa férocité engendre le mal et anime son vieux corps disgracieux d'une pulsion sanguinaire. Les griffes en sont ses armes, la décrépitude en est son poison. N'avez-vous jamais osé lacérer, ce corps saint qui, sous l'assaut de vos étroites griffes se flétrit jusqu'à son extrême atonie. N'avez-vous jamais osé apposer votre griffe sur ce papyrus ardent, vendant votre âme décadente à ce pervers démon au mépris d'une gloire sans raison.
Goldilocks
THE SUNDAY TIMES BESTSELLING AUTHOR OF SEVEN DEVILS 'GOLDILOCKS GRABS YOUR ATTENTION AND DOESN'T LET GO - A THOUGHT-PROVOKING, IMAGINATIVE CALL-TO-ARMS' Katie Khan, author of Hold Back the Stars 'BOLD, FEMINIST SCI-FI FROM A SINGULAR, VISIONARY TALENT' Waterstones Online This is The Martian by way of The Handmaid's Tale - a bold and thought-provoking new high-concept thriller Despite increasing restrictions on the freedoms of women on Earth, Valerie Black is spearheading the first all-female mission to a planet in the Goldilocks Zone, where conditions are just right for human habitation. It's humanity's last hope for survival, and Naomi, Valerie's surrogate daughter and the ship's botanist, ...
