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Valie Export
None
Josef Hoffmann
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Martín Ramírez
Includes bibliographical references and index.
Moshe Kupferman
None
Gatecrashers
After World War I, artists without formal training “crashed the gates” of major museums in the United States, diversifying the art world across lines of race, ethnicity, class, ability, and gender. At the center of this fundamental reevaluation of who could be an artist in America were John Kane, Horace Pippin, and Anna Mary Robertson “Grandma” Moses. The stories of these three artists not only intertwine with the major critical debates of their period but also prefigure the call for inclusion in representations of American art today. In Gatecrashers, Katherine Jentleson offers a valuable corrective to the history of twentieth-century art by expanding narratives of interwar American modernism and providing an origin story for contemporary fascination with self-taught artists.
Sacred and Profane
A sustained critical assessment of southern folk art and self-taught art and artists
Beatrice Wood
A stage actress with the Parisian Comédie-Française; a Dadaist and New York bohemian who edited The Blind Manwith Marcel Duchamp; a devoted follower of spiritual guru Jiddu Krishnamurti at Ojai; and a model for the character Rose in Titanic: throughout her many incarnations, Beatrice Wood (1893-1998) continued to produce important work right up until her death at the age of 105. After her New York years as the "Mama of Dada," Wood moved to Los Angeles, where she took up ceramics and was soon receiving international attention for her eccentric figural sculptures, vessels and goblets, glazed with her signature iridescent hues. Beatrice Wood: Career Womanoffers a scholarly assessment of her remarkable life and work, with full-color plates, photographs and writings documenting the evolution of her work and establishing her many contributions to twentieth-century avant-garde art.
Ingeborg Lüscher
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Roman Signer
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