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While some see the comic as trivial, fit mainly for amusement or distraction, Søren Kierkegaard disagrees. This book examines Kierkegaard’s earnest understanding of the nature of the comic and how even the triviality of comic jest is deeply tied to ethics and religion. It rigorously explicates terms such as “irony,” “humor,” “jest,” and “comic” in Kierkegaard, revealing them to be essential to his philosophical and theological program, beyond aesthetic interest alone. Drawing centrally from Kierkegaard’s most concentrated treatment of these ideas, Concluding Unscientific Postscript (1846), this account argues that he defines the comic as a “contradiction” or misrelat...
"As she constructively engages feminist critiques of Christianity's complicity in violence, Deidre Nicole Green challenges traditional beliefs that self-sacrifice amounts to love and that suffering is inherently redemptive by arguing for a Kierkegaardian conceptions of Christian love that limits self-sacrifice." -- Back cover.
A comprehensive and comparative examination of the concept of recognition across history and disciplines.
One of the elements that many readers admire in Kierkegaard’s skill as a writer is his ability to create different voices and perspectives in his works. Instead of unilaterally presenting clear-cut doctrines and theses, he confronts the reader with a range of personalities and figures who all espouse different views. One important aspect of this play of perspectives is Kierkegaard’s controversial use of pseudonyms. The present volume is dedicated to exploring the different pseudonyms and authorial voices in Kierkegaard’s writing. The articles featured here try to explore each pseudonymous author as a literary figure and to explain what kind of a person is at issue in each of the pseudonymous works. The hope is that by taking seriously each of these figures as individuals, we will be able to gain new insights into the texts which they are ostensibly responsible for.
Eliseo Pérez Álvarez presenta en su libro a un Kierkegaard que va más allá de lo que leemos de él en muchas introducciones. Aquí, además, es el profeta, el denunciante de la injusticia social y de la hipocresía eclesiástica y religiosa. Eliseo "nos engancha entreteniéndonos con sus imágenes culinarias, al tiempo que nos lleva a reconocer cuanta razón tenía Kierkegaard en mucho de lo que dijo ..." In this book, the author presents a Kierkegaard that goes beyond what we read of him in many textbooks. Aside from a look at Kierkegaard the prophet, the denouncer of the social injustice and of the religious and ecclesiastical hypocrisy, Álvarez treats readers to a detailed examination of the times that formed Kierkegaard’s teachings and philosphies. Eliseo Perez-Alvarez studied theology and philosophy in Mexico City, Atlanta, Chicago and Copenhagen. He has been professor, pastor, editor and coordinator for Hispanic Ministries in Mexico, USA, Puerto Rico and the Virgin Islands. He currently is an Associate Professor of Latino Theology and Mission at the Lutheran Seminary Program in the Southwest in Austin, Texas.
In contemporary public discourse, the supposedly comprehensive explanatory power of reason is used to justify a thoroughgoing suspicion of religion. In recent decades, the critiques of postmodernism have generated a different kind of suspicion by construing history as a process that is too arbitrary to be narrated--either by modern reason or by religion. In light of these developments, a question arises regarding the appropriate theological response to such forms of suspicion, both of which threaten not just religion but our sense of human agency as such. Does the retrieval of a meaningful religious subjectivity in a climate of suspicion demand a renewed emphasis upon theology's rhetorical p...
This collection of 15 essays by celebrated authors in Shakespeare studies and in continental philosophy develops different aspects of the interface between continental thinking and Shakespeare's plays.
This book draws Soren Kierkegaard and Luce Irigaray into conversation on the nature and ethics of sexual difference. While these two initially seem like doubtful dialogue partners, the conversation between them yields a rich and compelling account of intersubjectivity between man and woman--an account that moves beyond the limited and tired debate over egalitarianism vs. complementarianism. Through engagement with Irigaray and Kierkegaard, this book develops a constructive, theological ethics of sexual difference that focuses on an epistemological and subjective gap that sets man and woman at a decisive distance from each other. They are a mystery to each other. Yet it is also an ethical framework that allows woman and man to encounter one another in ways that respect the independence, subjectivity, and becoming of each. Above all, this is a theological ethics of sexual difference that centers on Jesus Christ, who is defined as the middle term in every relationship and whose love command defines the encounter between man and woman in difference.
tofaník provides a unique, personal reading of weak theology and tries to inhabit the gap between it and its founder, John D. Caputo. In this distinctive exploration of John D. Caputos work, tefan tofaník traces Caputos journey of philosophical discovery from his earlier, more conventional academic writings to his later, almost confessional works of weak theology and his deep engagement with Derrida. tofaník draws upon Caputos life story to help explain sudden shifts in Caputos thinking, offers intricate readings of philosophical passages that have all too often been taken for granted, and joins in Caputos effort to find a theology that can be trusted and that does n...
While many studies of On the Concept of Irony treat Kierkegaard's "irony" primarily from a literary perspective,The Isolated Self also examines irony with an eye to the fundamental problem in Kierkegaard's authorship, namely, the challenge of becoming a "self." Kierkegaard's "irony" is a cavalier way of life that seeks isolation from the other - an isolation he considers necessary to becoming a self. At the same time, irony is said to be a hindrance to selfhood because the self fails to become a part of the social world in which it resides. The Isolated Self thus puts the existential tension of On the Concept of Irony into relief and suggests how it sets the stage for the rest of Kierkegaard's authorship. The Isolated Self reconstructs the horizon of understanding during Kierkegaard's time, including Hegel's interpretation of both Socratic irony and Friedrich Schlegel's romantic irony. In addition, the work explores material from the little-known Danish discussion of irony in the works of Poul Martin Møller, Johan Ludvig Heiberg and Hans Lassen Martensen.