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'A new play by an exciting young American writer, presented at London''s Royal Court Theatre. Eddie''s restless, his wife is anxious for him to finish their new kitchen cabinets. Since he went online and discovered Arnold, a teenager, he''s become distracted. And when they meet, it''s soon clear that Arnold''s interest in him goes beyond their night-time encounters.'
"Gee's Bend depicts the turbulent history of African-Americans in the 20th century by focusing on a single family in the real community of Gee's Bend, Alabama, which is now famous for the beautiful quilts created by the women that grew up there."--Back cover.
This book is a conversation about acting with noted actor, director and educator Cynthia Henderson. Cynthia takes the reader on a journey to the heart of acting, sharing techniques and exercises she has developed over a lifetime of personal and professional exploration. Drawing from the diverse landscape of what it means to be human, Cynthia creates a space to meet the actor where they are. It is a profound and often humorous guide that is accessible for the beginning actor while inviting the seasoned professional to dive deeper. Her unique insights into actor training form the cornerstone for compelling character development and offer insight into how theatre can be a catalyst for social change. Cynthia’s concepts are cutting edge actor training. More than an acting book, this book is an intimate look at the exploration of the human condition and why we do what we do.
Ludelphia Bennett may be blind in one eye, but that doesn't mean she can't put in a good stitch. In fact, Ludelphia sews all the time, especially when things are going wrong. But when Mama gets deathly ill, it doesn't seem like even quilting will help. Mama needs medicine badly—medicine that can only be found in Camden, over forty miles away. That's when Ludelphia decides to do something drastic—leave Gee's Bend. Beyond the cotton fields of her small sharecropping community, Ludelphia discovers a world she never imagined, but there's also danger lurking for a young girl on her own. Set in 1932 and inspired by the rich quilting traditions of Gee's Bend, Alabama, Leaving Gee's Bend is a delightful story of a young girl facing a brave new world, presented in a new paperback edition.
Incomplete and Random Acts of Kindness moves between dream story and real lives to tell an intricate, complex story of a young man dealing with the break up of his family and the legacy of race responsibility. Joey's an ordinary man but everywhere he looks people are slipping away. A notice at work catches his eye. He doesn't know where to go next - his Dad, the community or Marvin Gaye. In a world he can't connect with, is there someone out there who can connect with Joey? The play premiered at the Royal Court Theatre in May 2005.
Out of Place & Time, Vol. 2, is an anthology of plays by six members of the Women's Project Lab. It's a snapshot of some of the most ambitious work incubating in New York and a diverse compilation of plays for directors and actors seeking exciting contemporary work to explore. With a hilarious and biting intro by Theresa Rebeck that challenges the American theater to celebrate and produce its women playwrights, Vol. 2 showcases writers whose voices sing our world with wit, passion and daring. Bekah Brunsetter's Le Fou teases out the destructive dance between love and vanity. Kara Manning's Sleeping Rough forms a blues ballad for souls displaced between lives. Alexis Clements' Conversation cleverly interrogates the science of speech, while Nadia Davids' At Her Feet plays out another kind of linguistic music, that of six very different Muslim women from Cape Town. Carla Ching's TBA plays with the power of naming, and Andrea Thome's Undone offers a polyphonic love poem to a city crowded with the living and dead.
The most controversial and newsworthy plays of British theatre are a rash of rude, vicious and provocative pieces by a brat pack of twentysomethings whose debuts startled critics and audiences with their heady mix of sex, violence and street-poetry. In-Yer-Face Theatre is the first book to study this exciting outburst of creative self-expression by what in other contexts has been called Generation X, or Thatcher's Children, the 'yoof' who grew up during the last Conservative Government. The book argues that, for example, Trainspotting, Blasted, Mojo and Shopping and F**king are much more than a collection of shock tactics - taken together, they represent a consistent critique of modern life, one which focuses on the problem of violence, the crisis of masculinity and the futility of consumerism. The book contains extensive interviews with playwrights, including Sarah Kane ( Blasted), Mark Ravenhill (Shopping and F**king), Philip Ridley (The Pitchfork Disney), Patrick Marber (Closer) and Martin McDonagh (The Beauty Queen of Leenane).
Hot Blooded is a collection of 76 monologues, fresh out of the fire. This book contains material for men and women of all ages, with quirky and moving characters who endure messy breakups, remember dead pets, drive the big rigs, and more. And every piece is completely new -- so they won't have heard it before!
A dissection of the impact on society of the war in Iraq When one man goes to war he leaves the city, his wife and brother. A year later only the wife and brother remain. Christopher Shinn's new play asks what happens when people and events apparently thousands of miles away affect the heart and soul of a city.'Christopher Shinn's clever, intricately calculated and quietly moving new play" Daily Telegraph'Subtle, insinuating, beautifully written new play' Whatsonstage'an impressive analysis of the collective American psyche rooted in details of real family life' Guardian
Produced as a programme text for the world premiere of the work at the Royal Court Theatre's Theatre Upstairs, Alaska explores the life and lies of Frank. Frank is an ordinary bloke who likes smoking, history and playing House of the Dead 3. He can put up with his job on a cinema kiosk until a new supervisor arrives who is younger than him. And Asian. The conflict that arises provokes a spiral of lies and eventual violence that uncovers Frank's façade and raises questions about identity and race in modern Britain.