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The Ancient World
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The paintings in the Cnidian Lesche at Delphi and their historical context
Preliminary Material /Robert B. Kebric -- The Paintings in the Cnidian Lesche at Delphi and their Historical Context /Robert B. Kebric -- The Historical Circumstances Behind the Lesche /Robert B. Kebric -- The Themes and the Political Implications of the Lesche's Paintings /Robert B. Kebric -- Cimon and Polygnotus /Robert B. Kebric -- Conclusion /Robert B. Kebric -- On the Genuineness of Apollo's Response to the Cnidians /Robert B. Kebric -- Ship Modifications at Cnidus /Robert B. Kebric -- The Three “Hermae” /Robert B. Kebric -- Tellis and Cleoboea /Robert B. Kebric -- Select Bibliography /Robert B. Kebric -- Notes /Robert B. Kebric -- Index /Robert B. Kebric.
Ancient Sculptural Copies in Miniature
In-depth case studies of individual statuary types form the core of this analysis of sculptural copying in antiquity. By examining the popular genre of the copy, the book illuminates broad questions of Roman sculptural production and the methodological limitations of traditional approaches to the subject.
Synopsis
Synopsis is an electronic and print index to scholarly publications on Greek Studies. Consisting of a PC or Macintosh formatted disk, a print edition of the index, and a copy of Euretes, a computer user's manual that will aid in record retrieval and conversion of information contained in the database, the annual is compiled out of more than 950 scholarly journals and other publications, and out of the holdings of major US libraries, the Library of Congress and the National Library of Greece.Indexing nearly 5,100 journal paper titles and 3,100 book titles, Synopsis covers the areas of Classical, Hellenistic, Biblical, Byzantine, Medieval and Modern Greek Studies. The volume of collected material has been compiled in three indexes: 1) the general listing and the author index; 2) the list of the indexed scholarly journals and other publications; and, 3) the text, geographical, name and subject index
Collection Diniacopoulos Au Québec
When Olga and Vincent Diniacopoulos arrived in Montreal from Post-War Europe, they brought with them more than two thousand antiquities. Yet Canada's largest private collection, held since the 1960s at Université de Laval and now in the Musée national des beaux-arts du Québec, remained largely unknown and unstudied. In 2004, Concordia University - in conjunction with the Montreal Museum of Fine Arts - arranged for an exhibition, an international conference, and a publication devoted to the collection. Ten essays, seven in English and three in French, explore various aspects of a collection ranging from Greek pottery of the Late Bronze Age to ancient glass of Roman imperial date. Accompanied by a complete catalogue of all the Montreal pieces.
Roma bibliografica
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Vitreous Materials at Amarna
The earliest vitreous materials in Egypt date to c.4000 BC although the production of glass, faience, frit or 'Egyptian blue' does not really take off until the 18th dynasty. Andrew Shortland combines descriptions of various objects made from vitreous materials with an analysis of the processes and techniques used in their production.
