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A Bibliography of French Emblem Books: L-Z
  • Language: en
  • Pages: 790
The Sixteenth-century French Emblem Book
  • Language: en
  • Pages: 372

The Sixteenth-century French Emblem Book

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A Bibliography of French Emblem Books of the Sixteenth and Seventeenth Centuries
  • Language: en
  • Pages: 712

A Bibliography of French Emblem Books of the Sixteenth and Seventeenth Centuries

  • Type: Book
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  • Published: 1999
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  • Publisher: Unknown

La bibliographie présente décrit en détail plus de 700 éditions imprimées en France ou en français entre 1534 et 1700. Alciat représente presqu'un dixième de celles-ci, et plusieurs éditions de son oeuvre sont identifiées ici pour la première fois. 77 bibliothèques ont été dépouillées, et, d'autres exemplaires sont notés dans environ 300 autres bibliothèques.

The Emblem and Device in France
  • Language: en
  • Pages: 256

The Emblem and Device in France

  • Type: Book
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  • Published: 1985
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  • Publisher: Unknown

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The Seventeenth-century French Emblem
  • Language: en
  • Pages: 458

The Seventeenth-century French Emblem

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Emblemata
  • Language: en
  • Pages: 504

Emblemata

  • Type: Book
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  • Published: 1996
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  • Publisher: Unknown

Recognition of the great importance in Renaissance culture of the versatile and complex form of the emblem is increasingly widespread. This series aims to satisfy the needs of those who require access to texts in an edition as close to the original as possible.

The Sixteenth-Century French Emblem Book : a Decorative and Useful Genre
  • Language: fr
  • Pages: 699

The Sixteenth-Century French Emblem Book : a Decorative and Useful Genre

Il s'agit d'une étude originale sur les livres d'emblèmes français du XVIe siècle : Alison Saunders met surtout en valeur l'aspect vécu et quotidien de l'emblème. Elle analyse la conception de celui-ci, et le rôle qu'y jouaient le poète et l'imprimeur. Puis elle s'attache à son utilité sociale : là, elle constate une remarquable diversité : l'emblème français pouvait être une pure création intellectuelle, mais aussi une source d'information, et souvent il inspirait même une leçon morale. Avant tout un objet didactique, il était aussi largement emprunté par l'artisan, revenait en motif dans les broderies et prenait une importance extraordinaire dans les grandes parades, les spectacles et les entrées triomphales.

A Book of Emblems
  • Language: en
  • Pages: 269

A Book of Emblems

  • Categories: Art
  • Type: Book
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  • Published: 2004-07-15
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  • Publisher: McFarland

Andrea Alciati's Emblematum Liber was an essential work for every writer, artist and scholar in post-medieval Europe. First published in 1531, this illustrated book was a collection of emblems, each consisting of a motto or proverb, a typically enigmatic illustration, and a short explanation. Most of the emblems had symbolic and moral applications. Scholars depended on Alciati's book to interpret contemporary art and literature, while writers and artists turned to it to invest their work with an understood didactic sense. This new edition of the Emblematum Liber includes the original Latin texts, highly readable English translations, and the illustrations belonging to each of the 212 emblems...

The ‘Delie'
  • Language: en
  • Pages: 523

The ‘Delie'

This edition of Maurice Scève's 1544 poetic cycle Délie, objet de plus haulte vertu was prepared specifically for English-speaking students.

Emblems and the Natural World
  • Language: en
  • Pages: 700

Emblems and the Natural World

  • Categories: Art
  • Type: Book
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  • Published: 2017-09-11
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  • Publisher: BRILL

Since its invention by Andrea Alciato, the emblem is inextricably connected to the natural world. Alciato and his followers drew massively their inspiration from it. For their information about nature, the emblem authors were greatly indebted to ancient natural history, the medieval bestiaries, and the 15th- and 16th-century proto-emblematics, especially the imprese. The natural world became the main topic of, for instance, Camerarius’s botanical and zoological emblem books, and also of the ‘applied’ emblematics in drawings and decorative arts. Animal emblems are frequently quoted by naturalists (Gesner, Aldrovandi). This interdisciplinary volume aims to address these multiple connections between emblematics and Natural History in the broader perspective of their underlying ideologies – scientific, artistic, literary, political and/or religious. Contributors: Alison Saunders, Anne Rolet, Marisa Bass, Bernhard Schirg, Maren Biederbick, Sabine Kalff, Christian Peters, Frederik Knegtel, Agnes Kusler, Aline Smeesters, Astrid Zenker, Tobias Bulang, Sonja Schreiner, Paul Smith, and Karl Enenkel.