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Bordered Identities in Language, Literature, and Culture
Cameroon’s composite state of postcoloniality inevitably burdened it with a linguistic and pedagogic culture that changed the eager student into a centripetal mimic of the colonial imagination. Recent events in the country, especially relating to the Anglophone Problem, have spotlighted the need to revisit this space, which has been over-politicised into what Anglophone Cameroonians see as a state of hypnosis. Given the clash between postcolonial consciousness and the globalizing forces of late capitalism, a necessary meeting point had to be negotiated in linguistic and pedagogic contexts, to (re)affirm the identity problematic in Cameroon, and in the interpretation of colonial voices in literary texts. Bordered Identities in Language, Literature, and Culture: Readings on Cameroon and the Global Space offers a variegated reflection on these issues, and simultaneously responds to increasing demands to re-negotiate identity beyond mega frames of Empire, based on contextual data that combine indigenous and globalising imperatives.
Faultlines in Postcoloniality
Faultlines in Postcoloniality: Contemporary Readings is a collection of scholarly articles addressing fundamental postcolonial and/or postmodern concerns. The articles are nursed from the background of social, cultural, political, linguistic, ideological and literary tensions in the fabric that holds, or is supposed to hold, the human race and the world together. Variously expressed and exemplified, the articles point to a complex interplay of factors, all of which result in a certain degree of social and literary fragmentation, partly due to the absence of communication or the lack of the creation of communication avenues across the divide, be they imaginary or real. Each of the chapters in this collection bridges the gaps caused by different linguistic, literary and artistic faultlines.
GLOBALISATION AND TRANSITIONAL IDEOLOGIES
The papers in this volume define the departure from the margin to the centre, assess emerging literatures and shifting language concerns, dismantle the hegemony of colonial English, propose alternatives to the ‘imperialism’ that underlies globalisation, and question hegemonic assumptions in language and literature.
Applied Drama and Theatre as an Interdisciplinary Field in the Context of HIV/AIDS in Africa
Drama for Life, University of the Witwatersrand, aims “to enhance the capacity of young people, theatre practitioners and their communities to take responsibility for the quality of their lives in the context of HIV and AIDS in Africa. We achieve this through participatory and experiential drama and theatre that is appropriate to current social realities but draws on the rich indigenous knowledge of African communities.” Collected here is a representative set of research essays written to facilitate dialogue across disciplines on the role of drama and theatre in HIV/AIDS education, prevention, and rehabilitation. Reflections are offered on present praxis and the media, as well as on inno...
Old Age in African Literary and Cultural Contexts
Through a wide range of indigenous, postcolonial, gender and racial lenses, African writers have provided perspectives on various aspects of old age in the context of African literatures and cultures. This book illustrates how African literary and linguistic representations, ranging from short stories, novels and film to drama and theatre, give expression to ideas about old age. The perspectives offered here provide essential knowledge in understanding the uses of dichotomous age-related categories, such as old-young, elderly male-elderly female, and foreign-indigenous, which generally result in prejudice. Using ageism as its central theme, the contributions draw attention to the ambiguity a...
Between Resistance and Expansion
Be it the vitality of African popular culture, the vitality of religious ideas or the vitality of artistic forms of expressions - invoking the notion of vitality has become a common practice in Africanist discourses. Most often, the purpose of invoking this notion is to emphasize the unexpected and astonishing power and strength of certain cultural fields in Africa. But what is really meant with the notion of local vitality beyond its metaphorical usage, beyond the underrated and unforeseen? The present volume brings together a number of essays exploring the answers to these questions from different perspectives and disciplines. Based upon an international conference on Local Vitality and the Globalization of the Local organized by the Humanities Collaborative Research Centre at the University of Bayreuth, Germany, the contributions discuss the various dimensions of vitality in the context of debates about identity and self-assertion, locality and appropriation, and rivalry and resista
Bearing Witness
Bearing Witness: Poems from a Land in Turmoil is a poetic response to the devastating Anglophone Crisis/Ambazonian Conflict in Cameroon that has killed thousands of children, women and men, displaced over half a million people and left hundreds of communities in ruins. The poems in this volume capture an all-encompassing landscape marked by alienation, despair, displacement, loss, anger, trauma, as well as courage, hope, heroism, justice and resilience. These poems also engender psychic healing which has the potential of turning victims into survivors. With over 100 poems by 73 poets—seasoned and emerging, old and young, men and women—this collection is not only a guidepost of collective memory, but also the definitive literary work of this period in Cameroon’s checkered history.
Theatrical Therapeutic Interventions in Cameroon
Theatre use in therapeutic settings is more relevant now in Cameroon than ever. The incessant hike in crises leaves many in difficult mental health conditions that the available modern treatment facilities cannot fully address. Other alternatives can therefore be used to address these and this book looks at those related to theatre. The focus here is on using theatre techniques in therapeutic contexts either directly or indirectly through cross-examination of theatre productions and performative healing rites. Major therapeutic uses of theatre in Cameroon are discussed with a special focus on theatre for development, community theatre, theatre of the oppressed, and traditional healing ritual...
Implementing the Nagoya Protocol
The adoption of the Nagoya Protocol on Access and Benefit-sharing to the Convention on Biological Diversity in 2010 is a major landmark for the global governance of genetic resources and traditional knowledge. The way in which it will be translated into practice will however depend on the concrete implementation in national country legislation across the world. Implementing the Nagoya Protocol compares existing ABS regimes in ten European countries, including one non-EU member and one EU candidate country, and critically explores several cross-cutting issues related to the implementation of the Nagoya Protocol in the EU. Gathering some of the most professional and widely acclaimed experts in ABS issues, this book takes a major step towards filling a gap in the vast body of literature on national and regional implementation of global commitments regarding ABS and traditional knowledge.
A History of Theatre in Africa
This book aims to offer a broad history of theatre in Africa. The roots of African theatre are ancient and complex and lie in areas of community festival, seasonal rhythm and religious ritual, as well as in the work of popular entertainers and storytellers. Since the 1950s, in a movement that has paralleled the political emancipation of so much of the continent, there has also grown a theatre that comments back from the colonized world to the world of the colonists and explores its own cultural, political and linguistic identity. A History of Theatre in Africa offers a comprehensive, yet accessible, account of this long and varied chronicle, written by a team of scholars in the field. Chapters include an examination of the concepts of 'history' and 'theatre'; North Africa; Francophone theatre; Anglophone West Africa; East Africa; Southern Africa; Lusophone African theatre; Mauritius and Reunion; and the African diaspora.
