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Kamikaze, Cherry Blossoms, and Nationalisms
Why did almost one thousand highly educated "student soldiers" volunteer to serve in Japan's tokkotai (kamikaze) operations near the end of World War II, even though Japan was losing the war? In this fascinating study of the role of symbolism and aesthetics in totalitarian ideology, Emiko Ohnuki-Tierney shows how the state manipulated the time-honored Japanese symbol of the cherry blossom to convince people that it was their honor to "die like beautiful falling cherry petals" for the emperor. Drawing on diaries never before published in English, Ohnuki-Tierney describes these young men's agonies and even defiance against the imperial ideology. Passionately devoted to cosmopolitan intellectual traditions, the pilots saw the cherry blossom not in militaristic terms, but as a symbol of the painful beauty and unresolved ambiguities of their tragically brief lives. Using Japan as an example, the author breaks new ground in the understanding of symbolic communication, nationalism, and totalitarian ideologies and their execution.
Rice as Self
Are we what we eat? What does food reveal about how we live and how we think of ourselves in relation to others? Why do people have a strong attachment to their own cuisine and an aversion to the foodways of others? In this engaging account of the crucial significance rice has for the Japanese, Rice as Self examines how people use the metaphor of a principal food in conceptualizing themselves in relation to other peoples. Emiko Ohnuki-Tierney traces the changing contours that the Japanese notion of the self has taken as different historical Others--whether Chinese or Westerner--have emerged, and shows how rice and rice paddies have served as the vehicle for this deliberation. Using Japan as an example, she proposes a new cross-cultural model for the interpretation of the self and other.
Illness and Culture in Contemporary Japan
The cultural practices and cultural meaning of health care in urban Japan.
Kamikaze Diaries
“We tried to live with 120 percent intensity, rather than waiting for death. We read and read, trying to understand why we had to die in our early twenties. We felt the clock ticking away towards our death, every sound of the clock shortening our lives.” So wrote Irokawa Daikichi, one of the many kamikaze pilots, or tokkotai, who faced almost certain death in the futile military operations conducted by Japan at the end of World War II. This moving history presents diaries and correspondence left by members of the tokkotai and other Japanese student soldiers who perished during the war. Outside of Japan, these kamikaze pilots were considered unbridled fanatics and chauvinists who willingl...
Flowers That Kill
Flowers are beautiful. People often communicate their love, sorrow, and other feelings to each other by offering flowers, like roses. Flowers can also be symbols of collective identity, as cherry blossoms are for the Japanese. But, are they also deceptive? Do people become aware when their meaning changes, perhaps as flowers are deployed by the state and dictators? Did people recognize that the roses they offered to Stalin and Hitler became a propaganda tool? Or were they like the Japanese, who, including the soldiers, did not realize when the state told them to fall like cherry blossoms, it meant their deaths? Flowers That Kill proposes an entirely new theoretical understanding of the role ...
Culture Through Time
Anthropological literature has traditionally been static and synchronic, only occasionally according a role to historical processes. but recent years have seen a burgeoning exchange between anthropology and history, each field taking on a powerful new dimension in consequence. Just what this means for anthropologists has not been clear, and this collection (eight core papers plus introduction and final commentary) introduces focus and direction to this interface between anthropology challenges several basic assumptions long held by anthropologists. Researchers can no longer be satisfied with approaches epitomized in 'the ethnographic present'. Society may be a bounded entity, but culture can...
The Monkey as Mirror
This tripartite study of the monkey metaphor, the monkey performance, and the 'special status' people traces changes in Japanese culture from the eighth century to the present. During early periods of Japanese history the monkey's nearness to the human-animal boundary made it a revered mediator or an animal deity closest to humans. Later it became a scapegoat mocked for its vain efforts to behave in a human fashion. Modern Japanese have begun to see a new meaning in the monkey--a clown who turns itself into an object of laughter while challenging the basic assumptions of Japanese culture and society.
Representations of "Japanese Nature"
"Nature" as a concept and word is extremely elusive, yet it is commonly taken for granted that "the pristine nature" is "out there." This book explores the factors that have naturalized the idea of nature as "pristine" into our psyche, and as something that has a spatial, visual, and temporal dimension for "seasons". Much emphasis is given to the inhabitants demonstrating the dynamic characteristic of nature. As a study done over a long period of history, Representations of "Japanese Nature" shows the mutual support between conceptual principles of nature and the daily activities of the people .
Representations of “Japanese Nature”
“Nature” as a concept and word is extremely elusive, yet it is commonly taken for granted that “the pristine nature” is “out there.” This book explores the factors that have naturalized the idea of nature as “pristine” into our psyche, and as something that has a spatial, visual, and temporal dimension for “seasons”. Much emphasis is given to the inhabitants demonstrating the dynamic characteristic of nature. As a study done over a long period of history, Representations of “Japanese Nature” shows the mutual support between conceptual principles of nature and the daily activities of the people .
