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Techniques of Satire
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Stalin's Romeo Spy
Living a life that seems incredible even for a spy novel, Dmitri Bystrolyotov was a sailor, doctor, lawyer, and writer, fluent in many languages, whose success as a spy hinged on the fact that he was a charming, handsome, and very adept at seducing women. He stole military secrets from Germany and Italy and fed Stalin information from all over Europe, with his conquests including a French embassy employee, the wife of a British official, and a disfigured Gestapo officer. His story took an unexpected turn when at the height of Stalin's purges he was arrested, tortured, and sentenced to hard labor in the Gulag, where he risked further punishment by documenting how the regime he once served fully and unquestioningly had descended into a monstrous legacy of crimes against humanity.
Taking Penguins to the Movies
Draitser uses humor as a means of understanding the attitudes and customs, beliefs and idiosyncrasies, and inter- and intra-group relationships of this multinational society. In analyzing the jokes, he seeks to determine what makes them funny, why certain groups are targeted, and even why a mediocre joke can be received with great enthusiasm.
Agent Dmitri
A sailor, artist, lawyer, and writer, fluent in many languages, Bystrolyotov was one of a team of outstanding Soviet spies operating in Western countries between the world wars.
Laughing All the Way to Freedom
A sequel to the author's autobiographical trilogy--Shush! Growing up Jewish under Stalin, In the Jaws of the Crocodile, and Farewell, Mama Odessa--this book is part memoir and part cultural study about the challenges of immigration and American accculturation. With self-deprecating humor, the author, a former Soviet satirist who was punished for trespassing the boundaries of public criticism, recollects his growing pains as he overcame his indoctrinated upbringing in a totalitarian society to embrace America's defining values.
Shush! Growing Up Jewish Under Stalin
Many years after making his way to America from Odessa in Soviet Ukraine, Emil Draitser made a startling discovery: every time he uttered the word "Jewish"―even in casual conversation―he lowered his voice. This behavior was a natural by-product, he realized, of growing up in the anti-Semitic, post-Holocaust Soviet Union, when "Shush!" was the most frequent word he heard: "Don't use your Jewish name in public. Don't speak a word of Yiddish. And don't cry over your murdered relatives." This compelling memoir conveys the reader back to Draitser's childhood and provides a unique account of mid-twentieth-century life in Russia as the young Draitser struggles to reconcile the harsh values of Soviet society with the values of his working-class Jewish family. Lively, evocative, and rich with humor, this unforgettable story ends with the death of Stalin and, through life stories of the author's ancestors, presents a sweeping panorama of two centuries of Jewish history in Russia.
Making War, Not Love
Published by St. Martin's Press (1999), this book shows how one pithy joke encapsulates a world of knowledge about a culture. Because humor plays with the most deeply seated cultural assumptions, it makes visible areas of unacknowledged attitudes and behaviors in private realms. In this groundbreaking study, through the content analysis of over 600 jokes, proverbs, sayings, and popular rhymes, Emil Draitser offers an insider's view on the sociological and psychological functions of Russian sexual folklore and the way it reflects male/female relationships. Draitser leaves no dirty joke untold as he examines such taboo subjects as adultery, impotence, and gender and violence. This timely study sheds light on Russian popular culture and the nature of sexual humor everywhere.
Forbidden Laughter
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The Man with the Poison Gun
1961. The height of the Cold War. Just hours before work begins on the Berlin Wall, a KGB assassin and his young wife flee for the West before the Iron Curtain comes down and traps them in the East forever. This gripping story of real-life espionage and intrigue began when the Soviets invented a special weapon that killed without leaving a trace and put it in the hands of Bogdan Stashinsky. It is a tale of exploding parcels, fake identities, forbidden love and a man who knew the truth about the USSR’s most classified programme. By the time Stashinsky had his day in court, the whole world was watching.
