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In this ambitious new interdisciplinary study, Useche proposes the metaphor of the social foundry to parse how industrialization informed and shaped cultural and national discourses in late nineteenth- and early twentieth-century Spain. Across a variety of texts, Spanish writers, scientists, educators, and politicians appropriated the new economies of industrial production—particularly its emphasis on the human capacity to transform reality through energy and work—to produce new conceptual frameworks that changed their vision of the future. These influences soon appeared in plans to enhance the nation’s productivity, justify systems of class stratification and labor exploitation, or suggest state organizational improvements. This fresh look at canonical writers such as Emilia Pardo Bazán, Concha Espina, Benito Pérez Galdós, Vicente Blasco Ibáñez, and José Echegaray as well as lesser known authors offers close readings of their work as it reflected the complexity of Spain’s process of modernization.
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This volume brings together cutting-edge research on modern Spanish women as writers, activists, and embodiments of cultural change, and honors Maryellen Bieder's invaluable scholarly contributions. The critical analyses are situated within their specific socio-historical context, and shed new light on nineteenth- and early twentieth-century Spanish literature, history, and culture.
Rural communities across the United States are experiencing a rapid increase in the number of immigrant students. While the number of culturally and linguistically diverse students continues to grow within midwestern states, the demographics of teachers remain white, female, and monolingual. Often teachers have little to no training working with students and their families whose backgrounds differ from their own. Thus, there is a great urgency for teachers to develop culturally competent teaching practices that address the needs of all students. The purpose of this year-long, school-based narrative inquiry was to examine the beliefs, attitudes, and practices of rural educators as they descri...
Languages, diversity and power: these are the concepts running through all chapters in this volume. Rooted in linguistics, translation studies and literary studies, often informed by cultural and political studies, postcolonial theory and history, the contributions here tackle the thorny issue of power relations as expressed, enforced, dismissed through the use of language(s). From the British press, to power relations as represented in TV series set in courtrooms, and from language-power intersections in the translation of Italian post-war cinema to power enforcement through film-making in Africa, the volume spans decades and continents, providing in-depth analyses of a host of contexts, facts, actions. As such, it will be of particular interest to scholars and students in linguistics, translation and cultural studies.
Along the Rails: A Jurors Journey takes the reader on an emotional ride through the details of the Capital Murder trial of The State of Texas vs. Angel Maturino Resendiz, known as the infamous "Railway Killer". The author served as a juror on the 2000 high-profile trial which included horrific details of one of this nations grisliest serial killer crime sprees in recent memory. The writers jury experience, which became this book, was emotional and explosive from start to finish. The book allows the reader a rare look inside the isolated world of capital murder jury service. The details of the trials impact left on 12 people from diverse backgrounds are explored in all their emotional rawness.
José Maria Escobar (born ca. 1751) was adopted by José Miguel Antonio Ramírez, and was brought to live in Mier, Tamaulipas, Mexico when he was nine years old. Maria Antonia Gertrudis Chapa was the daughter of Maria Rita López de Jaen, who was the second wife of Escobar's adoptive father. In 1770, Escobar married Maria Antonia Gertrudis Chapa. He inherited a portion of land called Porción 76 from Ramírez, and later purchased the remainder of Porción 76 from his mother in law and step-mother, Maria Rita López de Jaen. The property was in Mier, which later became part of Starr County, Texas. Escobar ancestors came from Spain to Mexico, some being soldiers with Cortez at Vera Cruz in 1519. Members of the Escobar family lived in Texas and northern Mexico, along the Rio Grande River. They settled mainly at Escobares, Los Sáenz, La Rosita, Roma (Roma-Los Sáenz), and Rio Grande City. Others moved to California, New York, Ohio, Washington D.C., and elsewhere.
Photographs from family archives, museums, and university collections capture the cultural, economic, and religious history of Chicago's Mexican communities, providing images of such neighborhoods as Pilsen, Little Village, Back of the Yards, and South Deering.