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I Cannot Control Everything Forever
An eloquent and intimate debut memoir about navigating the gap between expectation and reality in modern motherhood. I Cannot Control Everything Forever is Emily Bloom’s journey towards and through motherhood, a path that has become, for the average woman, laden with data and medical technology. Emily faces decisions regarding genetic testing and diagnosis, technologies that offer the illusion of certainty but carry the weight of hard decisions. Her desire to know more thrusts her back into the history of science, as she traces the discoveries that impacted the modern state of pregnancy and motherhood. With the birth of their daughter, who is diagnosed with congenital deafness and later, T...
The Wireless Past
The Oxford Mid-Century Studies series publishes monographs in several disciplinary and creative areas in order to create a thick description of culture in the thirty-year period around the Second World War. With a focus on the 1930s through the 1960s, the series concentrates on fiction, poetry, film, photography, theatre, as well as art, architecture, design, and other media. The mid-century is an age of shifting groups and movements, from existentialism through abstract expressionism to confessional, serial, electronic, and pop art styles. The series charts such intellectual movements, even as it aids and abets the very best scholarly thinking about the power of art in a world under new tec...
Air-borne Bards
This dissertation defines and explores "radiogenic aesthetics" in late modernism that emerged alongside radio broadcasting, World War II era propaganda, censorship, and paper shortages, and the transnational networks forming in the shadow of British imperial collapse. The Anglo-Irish writers in this study—W.B. Yeats, Louis MacNeice, Elizabeth Bowen, and Samuel Beckett—addressed a changing media environment that mapped on to the socio-cultural flux of the period following Irish Independence. Transcending the newly minted national boundaries between Ireland and England, the British Broadcasting Corporation became a locus for shaping transnational literary networks, this in spite of the nat...
The Wireless Past
Emily Bloom chronicles the emergence of the British Broadcasting Corporation as a significant promotional platform and aesthetic influence for Irish modernism from the 1930s to the 1960s. She situates the works of W.B. Yeats, Elizabeth Bowen, Louis MacNeice, and Samuel Beckett in the context of the media environments that shaped their works.
In Love: A Memoir of Love and Loss
In January 2020, Amy Bloom travelled with her husband Brian to Switzerland, where he was helped by Dignitas to end his life while Amy sat with him and held his hand. Brian was terminally ill and for the last year of his life Amy had struggled to find a way to support his wish to take control of his death, to not submerge 'into the darkness of an expiring existence'. Written with piercing insight and wit, In Love is Bloom's intimate, authentic and startling account of losing Brian, first slowly to the disease of Alzheimer's, and then on becoming a widow. It charts the anxiety and pain of the process that led them to Dignitas, while never avoiding the complex ethical problems that are raised by assisted death. A poignant love letter to Bloom's husband and a passionate outpouring of grief, In Love reaffirms the power and value of human relationships.
Yeats's Legacies
"The two great Yeats Family Sales of 2017 and the legacy of the Yeats family’s 80-year tradition of generosity to Ireland’s great cultural institutions provide the kaleidoscope through which these advanced research essays find their theme. Hannah Sullivan’s brilliant history of Yeats’s versecraft challenges Poundian definitions of Modernism; Denis Donoghue offers unique family memories of 1916 whilst tracing the political significance of the Easter Rising; Anita Feldman addresses Yeats’s responses to the Rising’s appropriation of his symbols and myths, the daring artistry of his ritual drama developed from Noh, his poetry of personal utterance, and his vision of art as a body reb...
The Oxford Handbook of W.B. Yeats
The forty-two chapters in this book consider Yeats's early toil, his practical and esoteric concerns as his career developed, his friends and enemies, and how he was and is understood. This Handbook brings together critics and writers who have considered what Yeats wrote and how he wrote, moving between texts and their contexts in ways that will lead the reader through Yeats's multiple selves as poet, playwright, public figure, and mystic. It assembles a variety of views and adds to a sense of dialogue, the antinomian or deliberately-divided way of thinking that Yeats relished and encouraged. This volume puts that sense of a living dialogue in tune both with the history of criticism on Yeats and also with contemporary critical and ethical debates, not shirking the complexities of Yeats's more uncomfortable political positions or personal life. It provides one basis from which future Yeats scholarship can continue to participate in the fascination of all the contributors here in the satisfying difficulty of this great writer.
Cybernetic Aesthetics
In Cybernetic Aesthetics, Heather A. Love makes a new contribution to ongoing debates about modern communication networks and information culture. This book draws from cybernetics theory and terminology to interpret experimental modernist texts, illustrating how cybernetic approaches to communication emerged long before World War II.
Midcentury Suspension
How did literary artists confront the middle of a century already defined by two global wars and newly faced with a nuclear future? Midcentury Suspension argues that a sense of suspension—a feeling of being between beginnings and endings, recent horrors and opaque horizons—shaped transatlantic literary forms and cultural expression in this singular moment. Rooted in extensive archival research in literary, print, and public cultures of the Anglophone North Atlantic, Claire Seiler’s account of midcentury suspension ranges across key works of the late 1940s and early 1950s by authors such as W. H. Auden, Samuel Beckett, Elizabeth Bishop, Elizabeth Bowen, Ralph Ellison, and Frank O’Hara. Seiler reveals how these writers cultivated modes of suspension that spoke to the felt texture of life at midcentury. Running counter to the tendency to frame midcentury literature in the terms of modernism or of our contemporary, Midcentury Suspension reorients twentieth-century literary study around the epoch’s fraught middle.
Broadcasting in the Modernist Era
Drawing on new archival research and with chapters by leading scholars, this book explores how canonical Modernist writers engaged with radio and television broadcasting.
