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Cultural Criticism 1969-1990
The School of Journalism at Columbia University has awarded the Pulitzer Prize since 1917. Nowadays there are prizes in 21 categories from the fields of journalism, literature and music. The Pulitzer Prize Archive presentsthe history of this award from its beginnings to the present: In parts A toE the awarding oftheprize in each category is documented, commented and arranged chronologically. Part F covers the history of the prize biographically and bibliographically. Part G provides the background to thedecisions.
Writings on Art
The first collection of Mark Rothko's writings, which range the entire span of his career While the collected writings of many major 20th-century artists, including Barnett Newman, Robert Motherwell, and Ad Reinhardt, have been published, Mark Rothko's writings have only recently come to light, beginning with the critically acclaimed The Artist's Reality: Philosophies of Art. Rothko's other written works have yet to be brought together into a major publication. Writings on Art fills this significant void; it includes some 90 documents--including short essays, letters, statements, and lectures--written by Rothko over the course of his career. The texts are fully annotated, and a chronology of...
Women Shaping Art
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Too Jewish or Not Jewish Enough
Displays of Jewish ritual objects in public, non-Jewish settings by Jews are a comparatively re-cent phenomenon. So too is the establishment of Jewish museums. This volume explores the origins of the Jewish Museum of New York and its evolution from collecting and displaying Jewish ritual objects, to Jewish art, to exhibiting avant-garde art devoid of Jewish content, created by non-Jews. Established within a rabbinic seminary, the museum’s formation and development reflect changes in Jewish society over the twentieth century as it grappled with choices between religion and secularism, particularism and universalism, and ethnic pride and assimilation.
Law, Ethics, and the Visual Arts
This book describes the collisions between the art world and the law, with a critical eye through a combination of primary source materials, excerpts from professional and art journals, and extensive textual notes. Topics analysed include + the fate of works of art in wartime, + the international trade in stolen and illegally exported cultural property, + artistic freedom, + censorship and state support for art and artists, + copyright, + droit moral and droit de suite, + the artist's professional life and death, + collectors in the art market, + income and estate taxation, + charitable donations and works of art, and + art museums and their collections. The authors are recognised experts in the field who have defined the canon in many aspects of art law.
Masks of the Spirit
Drawing on secondary works in archaeology, art history, folklore, ethnohistory, ethnography, and literature, the authors maintain that the mask is the central metaphor for the Mesoamerican concept of spiritual reality. Covers the long history of the use of the ritual mask by the peoples who created and developed the mythological tradition of Mesoamerica. Chapters: (1) the metaphor of the mask in Pre-Columbian Mesoamerica: the mask as the God, in ritual, and as metaphor; (II) metaphoric reflections of the cosmic order; and (III) the metaphor of the mask after the conquest: syncretism; the Pre-Columbian survivals; the syncretic compromise; and today's masks. Over 100 color and black-&-white photos.
A House of Her Own
Born in 1989 to wealthy American parents in upstate New York, American Surrealist painter Kay Sage became a member of the Surrealist art movement in Paris in 1937. Along with an eloquent chronicle of Sage's life, Judith Suther shows how not only Sage's art but also the iconoclastic themes of her poetic works were related to Sage's lifelong revolt against social and artistic convention. 78 illustrations. 10 color plates.
The Guggenheims
This definitive portrait of one of America's wealthiest, most influential dynasties traces their dynamic and often tragic lives. 'The Guggenheims': Meyer Guggenheim, the penniless immigrant whose genius for business and penchant for taking risks made the family fortune; Solomon Guggenheim, the pioneer art patron who commissioned Frank Lloyd Wright to build the revolutionary piece of modern architecture, The Guggenheim Museum, opening the doors of contemporary art to America; Peggy Guggenheim, self-styled 'first liberated woman' who built a Venetian palace for her art but lost both her daughter and her lover to suicide; Daniel & Harry Guggenheim, whose financial interest in rocket science supported the Apollo moon landing and the growth of America's modern space program; Roger W Straus Jr, grandson of Daniel Guggenheim, who became America's foremost literary publisher, bringing numerous Nobel Prize Winning authors to the world's bookshelves. Updated with the latest from the heirs to the Guggenheim dynasty and illustrated throughout with rare family photos, John Davis has chronicled the saga of one of America's first families of philanthropy.
Kill for Peace
Surveying the major antiwar artists, art collectives, and iconic works, as well as offering an original typology of antiwar engagement, this is the first comprehensive history of American artistic protest against the Vietnam War.
Weaving Modernism
An unprecedented study that reveals tapestry's role as a modernist medium and a model for the movement's discourse on both sides of the Atlantic in the decades following World War II
