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The land beyond the forest
The land beyond the forest. Facts, figures, and fancies from Transylvania. In two volumes. Volume 1
The Land Beyond the Forest
Novelist Emily Gerard (1849-1905) went with her husband, an officer in the Austrian army, to Transylvania for two years in 1883. Then part of the Austro-Hungarian Empire, today a region of western Romania, Transylvania was little known to readers back in England. In the years following, she wrote this full-length account (published in 1888) as well as several articles on the region, which Bram Stoker used when researching the setting for Dracula. She describes encounters with the different nationalities that made up the Transylvanian people: Romanians, Saxons and gypsies. Full of startling anecdotes and written in a novelistic style, her work combines her personal recollections with a detailed account of the landscape and people. The second volume covers the gypsy and Jewish populations, as well as Gerard's mixed feelings on leaving the country. For more information on this author, see http://orlando.cambridge.org/public/svPeople?person_id=geraem
The Ladies' Cabinet of Fashion, Music, and Romance
An illustrated women's magazine; includes extracts from novels, short stories, reviews, aphorisms, songs, philosophical discussions, and detailed descriptions of the latest clothing fashions from London and Paris.
Womanhood
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Women Coauthors
Until recently, collaborative authorship has barely been considered by scholars; when it has, the focus has been on discovering who contributed what and who dominated whom in the relationship and in the writing. In Women Coauthors, Holly Laird reads coauthored texts as the realization of new kinds of relationship. Through close scrutiny of literary collaborations in which women writers have played central roles, Women Coauthors shows how partnerships in writing - between two women or between a woman and a man - provide a paradigm of literary creativity that complicates traditional views of both author and text and makes us revise old habits of thinking about writing. Focusing on the social d...
Vampires
In the modern world vampires come in all forms: they can be perpetrators or victims, metaphors or monsters, scapegoats for sinfulness or mirrors of our own evil. What becomes obvious from the scope of the fifteen essays in this collection is that vampires have infiltrated just about every area of popular culture and consciousness. In fact, the way that vampires are depicted in all types of media is often a telling signifier of the fears and expectations of a culture or community and the way that it perceives itself; and others. The volume’s essays offer a fascinating insight into both vampires themselves and the cultures that envisage them.
Fictions of Loss in the Victorian Fin de Siècle
It has been widely recognised that British culture in the 1880s and 1890s was marked by a sense of irretrievable decline. Fictions of Loss in the Victorian Fin de Siècle explores the ways in which that perception of loss was cast into narrative, into archetypal stories which sought to account for the culture's troubles and perhaps assuage its anxieties. Stephen Arata pays close attention to fin de siècle representation of three forms of decline - national, biological and aesthetic - and reveals how late Victorian degeneration theory was used to 'explain' such decline. By examining a wide range of writers - from Kipling to Wilde, from Symonds to Conan Doyle and Stoker - Arata shows how the nation's twin obsessions with decadence and imperialism became intertwined in the thought of the period. His account offers new insights for students and scholars of the fin de siècle.
