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Back Cover
  • Language: en
  • Pages: 33

Back Cover

The unexpected divorce of Madison’s parents relocated her to New York City—a place that she has vowed to loathe. Through incredible coincidence, Madison finds a shoebox full of letters belonging to a young woman named Jessica. A connection is formed that will forever change the course of Madison’s life. Narrated by Madison’s older self, Back Cover is a story of loss, courage, humanity, and the painful—but wonderful—experience of growing up. Drama One-act. 40-45 minutes* 10 actors, large female cast *There is also a 32-minute version available for competitions, if a tighter time frame is needed

Refresh: Short Plays for Long Distance
  • Language: en
  • Pages: 76

Refresh: Short Plays for Long Distance

Building a relationship over a virtual platform can be...difficult. In this collection of short plays written for virtual performance, young theatre makers explore the space that exists between us, our screens, and the person on the other side. Imagine an app that lets you talk to dead people or realize you are a character in a play. That is ending. Very soon. What if you were partnered for an on-line school project with your exact opposite? How are Batman and The Joker handling all of this social distancing? Your students will connect with each of these auspicious plays written with them in mind. Drama/Comedy Short Play Collection. Each play is 10-20 minutes. 10-20 actors, flexible casting

Dress Rehearsal Disaster
  • Language: en
  • Pages: 32

Dress Rehearsal Disaster

It’s the final dress rehearsal for The Olive Tree, an inaccessible 1800s Russian play. When overachieving student Derek learns that their director Mr. Norbert is sick (with fake-it-itis), he decides to lead the final rehearsal himself. But as Derek’s attempts to wrangle his fellow cast of misfits only leads to unmitigated chaos, he begins to wonder if the show really must go on. Comedy One-act. 40-45 minutes 16 actors, gender flexible

The Blue Hour
  • Language: en
  • Pages: 27

The Blue Hour

Theo's grandpa has died, and he would give anything to see him one more time. A remarkable miracle sends him back in time to meet his grandpa while he was serving in the Korean War. A powerful and poetic play about grief, and what we can do with it. Drama One-act. 30-35 minute 5-8 actors

The Boot
  • Language: en
  • Pages: 16

The Boot

Kelsey hurt her foot really bad while playing volleyball and now she has to wear a boot. It shouldn't be that big of a deal, but it kind of is. This play is part of the short play collection It's Her Say and can be licensed separately or as part of the collection. Drama Short Play. 10-15 minutes 2 actors, female

It's Her Say
  • Language: en
  • Pages: 101

It's Her Say

It’s Her Say, a collection of short plays that focus on the female experience, can be used in the classroom for scene study or licensed for production. Ranging from historical fiction to social consciousness to shifting friendships to horror comedy, each play is written by a female-identifying theatre teacher who knows exactly what young performers are capable of and what kind of work they are eager to perform. This collection includes the following short plays: Some Things Never Change by Jane Best I Said Run. by Rachel Bublitz The Women's Land Army by Stephanie Buckley Beauty Kweenz by Diana Burbano Talk to Me About Home by Eugenie Carabatsos The Boot by Emily Hageman Angela and Angie and Cynthia by Patty MacMullen The Stakeout by K. Alexa Mavromatis The Un-Help Desk by Emily McClain Girl, Period by Stephanie Shearer Drama/Comedy Short Play Collection. Each play is 10-20 minutes. 10-20 actors, flexible casting (These plays can be licensed together or separately. If you license the whole collection, you have permission to pick and choose which plays to perform.)

The Heart and Soul of Thomas Elegie
  • Language: en
  • Pages: 28

The Heart and Soul of Thomas Elegie

Thomas is a very precise pianist who's being pushed by his mom to win competitions for scholarships, he's losing his love of music in the process and it shows in his playing. He meets a new friend at school who reminds him how to have fun with the piano, but when it turns out she's terminally ill he freaks out - this is a relationship he can't "win" - but ultimately decides to prioritize love of music and friendship over competition. Drama One-act. 35-45 minutes 7 actors

Tara, Shaped by the Figures
  • Language: en
  • Pages: 26

Tara, Shaped by the Figures

After Tara's best friend Clara dies from a heart condition, she is afraid to get close to the group trying to befriend her at her new school. The figures from history and fiction who Tara loves (including Anne Frank, Annie Oakley, Churchill, Sherlock Holmes, and Captain America) are joined by Clara in guiding Tara through her grief, until she tells her new friends about her loss. Drama/Comedy One-act. 40-45 minutes 11 actors, gender flexible

The Cages We Build
  • Language: en
  • Pages: 33

The Cages We Build

Dean's dad isn't around, his mom is deeply broken, and everyone at school either hates him or fears him. That's just who he is. But then, he meets Lucy and learns that life can be whatever you make it, and no matter what cage you build, you always have the key. Drama One-act. 30-35 minutes 4 female, 4 male

The Pandemic That Didn't Define Them (a monologue play)
  • Language: en
  • Pages: 31

The Pandemic That Didn't Define Them (a monologue play)

A collection of monologues inspired by the hearts of young people. Each piece feels immediate and intimate as characters wrestle with the timely situations we all face. Some of the monologues are about the pandemic, some aren't, because while our kids lived through a historical event, it's not who they are. Drama & Comedy Flexible. (Monologues are 5-8 minutes each) 16 original pieces, gender-flexible casting