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In The Futures, Emily Lambert, senior writer at Forbes magazine, tells us the rich and dramatic history of the Chicago Mercantile Exchange and Chicago Board of Trade, which together comprised the original, most bustling futures market in the world. She details the emergence of the futures business as a kind of meeting place for gamblers and farmers and its subsequent transformation into a sophisticated electronic market where contracts are traded at lightning-fast speeds. Lambert also details the disastrous effects of Wall Street's adoption of the futures contract without the rules and close-knit social bonds that had made trading it in Chicago work so well. Ultimately Lambert argues that the futures markets are the real "free" markets and that speculators, far from being mere parasites, can serve a vital economic and social function given the right architecture. The traditional futures market, she explains, because of its written and cultural limits, can serve as a useful example for how markets ought to work and become a tonic for our current financial ills.
The old axiom of "What you see is what you get" cannot be said to apply to Olivia Winters, the seemingly gracious and vivacious daytime television host whom Peter Brandon is commissioned to paint after he and his partner, Jeff Stevens, appear on her popular show. Peter quickly discovers that underneath the veneer of warmth and sophistication, is a bitter and vindictive woman-with an ego bigger than the lavish Beverly Hills penthouse she owns. Her perfect world, however, starts to unravel when she receives threatening letters from a religious fanatic, and when her blackmailing ex-boyfriend attempts to reenter her life. Jeff, hired to investigate the source of the threats, is convinced that Pa...
Distributing Condoms and Hope is a feminist ethnographic account of how youth sexual health programs in the racially and economically stratified city of “Millerston” reproduce harm in the marginalized communities they are meant to serve. Chris A. Barcelos makes space for the stories of young mothers, who often recognize the narrow ways that public health professionals respond to pregnancies. Barcelos's findings show that teachers, social workers, and nurses ignore systemic issues of race, class, and gender and instead advocate for individual-level solutions such as distributing condoms and promoting "hope." Through a lens of reproductive justice, Distributing Condoms and Hope imagines a different approach to serving marginalized youth—a support system that neither uses their lives as a basis for disciplinary public policies nor romanticizes their struggles.
The latest volume in Russ Kick's New York Times best-selling series retells classic crime fiction in full-color visual comix splendor. "Easily the most ambitious and successfully realized literary project in recent memory." --NPR "A treasure trove for literary comics fans." --WIRED Here are Teddy Goldenberg's dense, murky treatment of Dashiell Hammett's "The Road Home," often considered the first hardboiled detective story ever published. Shawn Cheng renders the first serial-killer story, the so-called fairy tale "Bluebeard" by Charles Perrault. Landis Blair reimagines The Trial as a choose-your-own-adventure story that you cannot win, and Ted Rall retells an O. Henry story about a petty criminal who just can't get arrested. Plus 28 other contributors using a wide range of illustrative styles. As with previous volumes in the Graphic Canon series, the illustrations run the full gamut of media and techniques, and artistic interpretations range from verbatim literalism to metaphorical extensions to surrealism and abstraction. The common theme, tracing the origins and standout texts of the morbid and mysterious, unites these multifarious partners in crime.
Helena Gutteridge was born in England in 1879. A militant suffragist, tutored by the Pankhursts, she learned the politics of confrontation early. Emigrating to Vancouver in 1911, she found the suffrage movement there too polite and organized the B.C. Woman's Suffrage League to help working women fight for the vote. And she kept on organizing. As a journeyman tailor she was a power in her union local, and as the only woman on the Vancouver Trades and Labor Council -- their 'rebel girl' -- she championed the rights of workers and organized women to fight for themselves. In the 1930s, as a member of the feisty new political movement, the Co-operative Commonwealth Federation, she joined in the s...