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Once upon a time there was a boy whose home was a van and whose world was his father. Be warned: this is not a fairytale. Although it does contain love, betrayal, escape, and most important of all, a kiss. But you have to be ready for an unpredictable journey through a realm where nothing is black or white. That, of course, is why you should take the first step. A startling new voice shows us a painful truth: You can't help who you fall in love with.
Look in the mirror – what do you see? We all feel, instinctively, that self exists. That somewhere inside us, under the clothes, the make-up and self-tan, lurks a hard 'pearl', a kernel of truth called 'me'. And it's big business uncovering that 'authentic' kernel. It's also a fool's errand, because that 'true self'? It doesn't exist. Self is no more than a story we tell ourselves. It's mutable, pliable as Plasticine. Worse, it's not even strictly autobiographical, but co-authored with those around us. And as such, there is no one version, but myriad, and the number is growing as we are exposed to ever more connections. We are already seeing the effects travel, television, and celebrity culture can have on the formation of self, but as digital and social media exposure grows, and in the advent of AI, what will happen to our sense of self? Can we become ever more multiple and adapt better to our globalised world? Or will we dissolve into narcissitic, detached 'nobodies'?
LONGLISTED FOR THE FOLIO PRIZE 2015 AND THE GREEN CARNATION PRIZE 2014 Jacob Little is in trouble - existential trouble. Over ten years, he has tried out such a range of identities that he has lost all sense of who he is. Convinced that only his ex-lover Solace can help, Jacob sets off for her Scottish hometown, only to get caught up in the lives of four people with their own issues: his self-deluding landlady, a teenager looking for a grand romance, an old watchmaker obsessed with time and a young girl who believes she's a boy. Each sees Jacob in a different light. For each, he is a catalyst. But where does that leave him? Or, dear reader, you?
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"A Modest Quest" describes the beginning of my quest to find out about my family. It was, at the outset, intended to be a modest quest - simply to find out about my parents' parents and brothers and sisters. Growing up, I and my sister and brother thought that all our grandparents were already dead; nor did we know much about our uncles and aunts. But the quest was not easy; it took about two years and some deep digging just to settle the questions about some of these relatives. By then, of course, the quest had embedded itself in my life, because you don't understand a person until you know something about their parents, and so it goes on.
This history of the Saltire Society Literary Awards demonstrates the significance the awards have had within Scottish literary and cultural life. The book explores how the prizes have influenced understandings of Scottish literature over eight decades and explores what they reveal about the wider mechanisms of how literary prize culture functions in the UK today.
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Charles Gilchrist was born in about 1775 in Scotland. His parents may have been John Gilchrist and Elizabeth Struthers. He married Catherine Robinson, daughter of Robert Robinson and Catherine, 16 August 1798 in Boston, Lincolnshire, England. They had seven children. Charles died in 1829. Descendants and relatives lived mainly in Lincolnshire, Leicestershire, Hampshire, Hertfordshire, Derbyshire and Dorset.