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Emily Mann: Rebel Artist of the American Theater is the story of a remarkable American playwright, director, and artistic director. It is the story of a woman who defied the American theater's sexism, a traumatic assault, and illness to create unique documentary plays and to lead the McCarter Theatre Center, for thirty seasons, to a place of national recognition. The book traces and describes Emily Mann's family life; her coming-of-age in Chicago during the exuberant, rebellious, and often violent 1960s; how sexual violence touched her personally; and how she fell in love with theater and began learning her craft at the Loeb Drama Center in Cambridge, Massachusetts, while a student at Radcli...
THE STORY: Shaped by the author from conversations with the people whose experience she sets forth, the play explores the way that Vietnam has affected three lives: a Marine veteran, his estranged wife and his mistress. Seated at a table, with slid
The first major collection by playwright Emily Mann contains four powerful docudramas. Based on extensive interviews of real people's experiences, these plays explore various moral issues and questions that still resonate in America today. Annulla: An Autobiography is a solo piece featuring the reflections of an elderly Jewish woman who survived the Holocaust by pretending to by Aryan. Jerry Talmer of the New York Post calls Annulla "one bangup 90 minutes of theatre...I don't know when I've been stimulated as much by anything on the living stage." Still Life is composed of interviews with a Vietnam War veteran with PTSD, the pregnant wife he physically and emotionally abuses, and the mistres...
“Emily Mann is one of our most urgently engaging, provocative and significant American playwrights.”—Joyce Carol Oates “Elizabeth Packard emerges as a vibrant, passionate force of nature.”—The New York Times Illinois, 1861: Without proof of insanity, Elizabeth Packard is committed by her husband to an asylum. Based on historical events, Emily Mann’s play tells of one woman’s struggle to right a system gone wrong in this winner of the Kennedy Center Fund for New American Plays Award. Emily Mann is a playwright and director, now in her nineteenth season as artistic director of McCarter Theatre. Her award-winning plays have been produced throughout the world.
Warm, feisty, and intelligent, the Delany sisters speak their mind in a book that is at once a vital historical record and a moving portrait of two remarkable women who continued to love, laugh, and embrace life after over a hundred years of living side by side. Their sharp memories tell us about the post-Reconstruction South and Booker T. Washington, Harlem’s Golden Age and Langston Hughes, W. E. B. Du Bois and Paul Robeson. Bessie Delany breaks barriers to become a dentist; Sadie Delany quietly integrates the New York City system as a high school teacher. Their extraordinary story makes an important contribution to our nation’s heritage—and an indelible impression on our lives.
This docudrama on the assassinations of San Francisco Mayor George Moscone and Supervisor Harvey Milk, the first openly gay elected public official in the country, is based on court transcripts and public record dramatising the trial of this controversial case. Focus is on accused killer Dan White, a disgruntled former city supervisor and on the jury which chose to convict him not of cold-blooded murder but manslaughter, which became known as the notorious "Twinkie defense."
Drama about a Jewish woman who tells her experiences during the Holocaust. Posing as an Aryan, her less fortunate husband is sent to the Dachau concentration camp, but she eventually manages to get him released.
Warning: The plays of Political Stages do not make for a quiet evening of theatre. These are the plays which got audiences out of their seats, and sometimes out into the streets. Their words and ideas rumbled ominously down the marble hallways of legislatures and challenged, even threatened, and often changed, the thinking of millions. These are the plays which either lit or reflected the fires of those political controversies which blazed across the American Twentieth Century. Individually, each is a molotov cocktail tossed onto the stage, each a political movement encapsulated in dramatic form. Combined, they constitute both a conflagration and a record of American political and theatrical ideology. Never before, however, have they been collected in one explosive volume. In Political Stages, they have at last been preserved, ever ready to serve at the barricades of subsequent eras. Includes works by Tennessee Williams, Emily Mann, Clifford Odets, Langston Hughes, and others.
Emily Mann brings Chekhov's masterpiece into the 21st century with bright contemporary language and a modern Hamptons' setting. In a world of appearance, money, business, and celebrity culture, the heart of the play is a story about the heartbreaking betrayal of children by their parents. With relevance, humor, and flowing, natural language, Mann's adaptation of challenges us to think about where America's culture is going.
A leading writer on American theatre explores the works and influences of ten contemporary American playwrights.