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Mirrors of the Divine brings into focus how four influential authors of the late ancient world--Tertullian of Carthage, Clement of Alexandria, Gregory of Nyssa, and Augustine of Hippo--employ language of vision and of mirrors in their discursive struggles to construct Christian agency, identity, and epistemology. Early Christian authors described the vision of God through the Pauline verse 1 Corinthians 13:12: "For now we see in a mirror, dimly, but then we will see face to face." Yet each author interpreted this verse differently, based on a diverse set of assumptions about how they understood seeing and mirrors to function: does vision occur by something leaving or entering the eye? Is one...
"There has long been a curious fascination with eyes and mirrors as evident throughout art, film, and literature. From fantastical characters who shoot lasers from their eyes to those whose memories are altered visually, the way in which a story portrays the function of the eyes demonstrates the way the storyteller imagines the character's relationship to the world. Is the character powerful or powerless? Does she impact her world or is she impacted by that world? The storyteller's portrayal of vision answers those questions and reveals deeper assumptions about the individual and her ability to move within and to know her world. While eyes are associated with interacting with this world, mirrors are distinctly associated with interacting with some other world. Mirrors function as portals to other worlds, windows that glimpse an alternate reality, or harmful traps that hide sinister intentions. How an author portrays eyes reveals how she understands the world, while how she portrays mirrors reveals how she imagines the unknown"--
A survey of the history of one of the most important biblical texts in the history of Christian spirituality while exploring original pathways for research.
How do images circulating in Pacific cultures and exchanged between them and their many visitors transform meanings for all involved? This fascinating collection explores how through mimesis, wayfarers and locales alike borrow images from one another to expand their cultural repertoire of meanings or borrow images from their own past to validate their identities.
Race and Partisanship in California Redistricting: From the 1965 Voting Rights Act to Present studies redistricting and its evolution in California since the passage of the 1965 Voting Rights Act. It poses the question: What is the interactive play of race and partisanship in redefining the meaning of political representation through redistricting? Unlike other studies of redistricting, it focuses not on the South but on the West, not on White versus Black, but on the difficulties of diversity. It tells the story of redistricting in California, which has now become one of the most left-leaning states and is considered a harbinger of political trends in the United States. Ultimately, this is ...
Cain made the first blackface turn, blackface minstrels liked to say of the first man forced to wander the world acting out his low place in life. It wasn't the "approved" reading, but then, blackface wasn't the "approved" culture either--yet somehow we're still dancing to its renegade tune. The story of an insubordinate, rebellious, truly popular culture stretching from Jim Crow to hip hop is told for the first time in Raising Cain, a provocative look at how the outcasts of official culture have made their own place in the world. Unearthing a wealth of long-buried plays and songs, rethinking materials often deemed too troubling or lowly to handle, and overturning cherished ideas about class...