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"I'm an Italian-Texan woman in a family full of cops. I'm passionate and shoot before I think. You only f*ck with me if you're stupid." Photograph cheating spouses. Hand over the evidence. Cash my check. That was my plan when I returned home to Holly Woods, Texas, and became a private investigator. Finding the dead body in my dumpster? Yeah... Given the choice, I think I would have opted out of that little discovery, especially since all three of my brothers are cops. And my Italian grandmother is sure the reason I'm single is because of my job. Of course, my connection to the victim is entirely coincidental. Until I'm hired by her husband to investigate her murder and shoved bang-smack into...
Writing Migration through the Body builds a study of the body as a mutable site for negotiating and articulating the transnational experience of mobility. At its core stands a selection of recent migration stories in Italian, which are brought into dialogue with related material from cultural studies and the visual arts. Occupying no single disciplinary space, and drawing upon an elaborate theoretical framework ranging from phenomenology to anthropology, human geography and memory studies, this volume explores the ways in which the skin itself operates as a border, and brings to the surface the processes by which a sense of place and self are described and communicated through the migrant body. Through investigating key concepts and practices of transnational embodied experience, the book develops the interpretative principle that the individual bodies which move in contemporary migration flows are the primary agents through which the transcultural passages of images, emotions, ideas, memories – and also histories and possible futures – are enacted.
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A swanky new gym has opened in leafy south-west London. Four women bond over push-ups and Pilates and become firm friends. Percy likes sorting out other people's problems, but her own life is a shambles, with a terrible secret addiction. Can she kick it and win back the love of her husband? Patrice, wealthy but damaged, wants another baby, but husband Jonty isn't interested in sex. Is it her imagination, or is he getting too close to the husband of one of her new friends? Carmen is living dangerously, determined to get pregnant by her cold, treacherous boyfriend. She doesn't see what is under her nose until it's nearly too late. Suzanne adores her sexy second husband, but is she neglecting him for her job? And has she realised what is happening to her teenage daughter? New best friends. Their friendship is about to be tested to the limit.
One date with the sexier-than-sin Detective Drake Nash. Simple. Until you take into account that my brother finally proposed to his girlfriend, so Nonna is on a warpath-and the crazy old bat has Cupid by the balls. The upcoming mayoral elections has everyone running on full speed, and while I couldn't give any less craps about the corrupt Holly Woods mayor's office, a dead body in the middle of a campaign speech has me thrown right into the middle of it. The victim is close to the mayor, but all he cares about is minimizing the damage to his campaign, so he hires me to work alongside Drake to close the case as quickly as possible. Bad news for our tentative relationship. We disagree far more...
July 1918-1943 include reports of various neurological and psychiatric societies.
The Laskett is an intimate history of the garden Roy Strong made with his wife, Julia Trevelyan Oman--the largest formal garden created in the country since 1945. This personal book is the tale of a marriage as much as the tale of a garden, as into the Laskett they etched their own biographies, including many of the people who have crossed their lives and are commemorated within it.
If Madame Bovary's death in Flaubert's 1857 novel marked the definitive end of the Romantic vision of literary disease, then the advent of psychoanalysis less than half a century later heralded an entirely new set of implications for literature dealing with illness. The theorization of a potential unconscious double (capable of expressing the body, and thus also the intimate damage caused by disease) in turn suggested a capacity to subvert or destabilize the text, exposing the main thread of the narrative to be unreliable or self-conscious. Indeed, the authors examined in this study (Italo Svevo (1861-1928), Giorgio Pressburger (1937-) and Giuliana Morandini (1938-)) all make use of individual 'infected' or suppressed voices within their texts which unfold through illness to cast doubt on a more (conventionally) dominant narrative standpoint. Applying the theories of Freud and more recent writings by Julia Kristeva, Bond offers a new critical reading of the literary function of illness, a function related to the very nature of narration itself.