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The New Woman
Emma Heaney's The New Woman: Literary Modernism, Queer Theory, and the Trans Feminine Allegory traces the evolution of the "trans feminine" as an allegorical figure from its origins in the late nineteenth century to contemporary Queer Theory.
Dear Emma
From Buzzfeed writer and the author of the popular memoir Never Have I Ever, a hilariously and painfully relatable debut novel following an anonymous college romantic advice columnist on her misadventures in love and friendship. Harriet, the author of her college newspaper's pseudonymous student advice column "Dear Emma," is great at telling others what to do, dispensing wisdom for the lovelorn and lonely on her Midwestern campus. Somehow, though, she can't take her own advice, especially after Keith, the guy she's dating, blows her off completely. When Harriet discovers that Keith has started seeing the beautiful and intimidating Remy, she wants to hate her. But she can't help warming to Remy, who soon writes to "Dear Emma" asking for romantic advice. Now Harriet has the perfect opportunity to take revenge on the person who broke her heart. But as she begins to doubt her own motivations and presumably faultless guidance, she's forced to question how much she really knows about love, friendship and well-meaning advice.
This Watery Place
A striking political and literary meditation on the sensory experience and politics of conception, pregnancy, and neonatal care
Resisting Racial Capitalism
What does freedom mean without, and despite, the state? Ida Danewid argues that state power is central to racial capitalism's violent regimes of extraction and accumulation. Tracing the global histories of four technologies of state violence: policing, bordering, wastelanding, and reproductive control, she excavates an antipolitical archive of anarchism that stretches from the favelas of Rio de Janeiro to the borderlands of Europe, the poisoned landscape of Ogoniland, and the queer lifeworlds of Delhi. Thinking with a rich set of scholars, organisers, and otherworldy dreamers, Danewid theorises these modes of refusal as a utopian worldmaking project which seeks not just better ways of being governed, but an end to governance in its entirety. In a time where the state remains hegemonic across the Left–Right political spectrum, Resisting Racial Capitalism calls on us to dream bolder and better in order to (un)build the world anew.
Pleasure and Efficacy
Finalist for the National Book Critics Circle Award in Criticism A leading trans scholar and activist explores cultural representations of gender transition in the modern period In Pleasure and Efficacy, Grace Lavery investigates gender transition as it has been experienced and represented in the modern period. Considering examples that range from the novels of George Eliot to the psychoanalytic practice of Sigmund Freud to marriage manuals by Marie Stopes, Lavery explores the skepticism found in such works about whether it is truly possible to change one’s sex. This ambivalence, she argues, has contributed to both antitrans oppression and the civil rights claims with which trans people ha...
The Routledge Companion to Queer Literary Studies
Bringing together twenty-seven established and emerging scholars, The Routledge Companion to Queer Literary Studies discusses the historical development, current state, future directions, and political stakes of queer literary studies as a field of research and pedagogy. This innovative collection offers new frameworks for studying and teaching literature, art, film, music, theory, and philosophy from the medieval period to the twenty-first century. The contributors consider the structural implication of gender and sexuality with race, class, gender, ability, colonialism, capital, empire, ability, and relationships between human and non-human life and matter. The Routledge Companion to Queer Literary Studies is a vital resource for scholars, students, and teachers working across a range of historical periods, critical methods, and objects of study. It offers a multitude of approaches to queer literary studies, revealing the field to be as vital, and as contested, as ever.
On Seamus Heaney
"Seamus Heaney was the leading Irish poet of the second half of the twentieth century, and, after W. B. Yeats, arguably the most significant poet in the history of Irish literature. When he died in 2013 the public reaction in Ireland was extraordinary, and the outpouring of feeling decisively demonstrated that he occupied an exceptional place in national life. The words of his last message to his wife, 'Noli timere', 'Don't be afraid', appeared over and over again on social media, while key phrases from favourite poems became and have remained canonical. In this short book, conceived for the Writers on Writers series, historian Roy Foster offers an extended and largley chronological reflecti...
Eros and Empire
The history of queer politics in the United States since 1968 is commonly narrated as either a progressive campaign for state recognition or as a subcultural rejection of prevailing gender norms. But these accounts miss the true scale of queer politics in the post-war era. By centering transnational relations, practices, and infrastructures in the history of sexual rebellion, Eros and Empire provides an alternative view of US-based struggles for sexual freedom. Alexander Stoffel analyzes three prominent US-based social movements—gay liberationism, Black lesbian feminism, and AIDS activism—to argue that they were fundamentally shaped by their transnational entanglements. Departing from po...
Losing the Plot
"It is widely understood that the modernist novel sought to escape what Virginia Woolf called the "tyranny" of plot. Yet even as twentieth-century writers pushed against the constraints of Victorian, plot-driven novels, Pardis Dabashi shows that plot kept its hold on them through the influence of another medium: the cinema. Focusing on the novels of Nella Larsen, Djuna Barnes, and William Faulkner-writers known for their moviegoing affinities and connections to early film-Dabashi uses the relationship between literature and the cinema to reveal a profound longing for plot in modernist fiction. Dabashi links the moviegoing practices of Larsen, Barnes, and Faulkner to the tensions in their works, tensions between the formal properties of the novels and the characters in them. In making a distinction between what the novel is doing and what their characters desire, these authors ponder how it is one thing to withhold plot as a gesture of modernist aesthetics, and quite another to be denied the comfort of plot's architecture in one's living and breathing existence"--
