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John Keats, 1795-1821, English poet.
"Many fictional works have real, historical authors as characters. Great national literary icons like Virgil and Shakespeare have been fictionalized in novels, plays, poems, movies, and operas. This fashion might seem typically postmodern, the reverse side of the contention that the Author is Dead; but this collection of essays shows that the representation of historical authors as characters can boast of a considerable history, and may well constitute a genre in its own right. This volume brings together a collection of articles on appropriations of historical authors, written by experts in a wide range of major Western literatures."--BOOK JACKET.
Examines representations of Anne Hathaway from the eighteenth century to contemporary portrayals in theatre, biographies and novels.
For generations scholars have labored scrupulously to try to separate the facts of William Shakespeare's life from the myths that have entangled them. However, those who have written fictions about the bard have operated under no such constraints. They offer solutions to the identities of W.H. and the Dark Lady, suggest Shakespeare's role in the shaping of the King James Bible, and trace his relationships with Sir Thomas Lucy, Francis Bacon, Elizabeth I, Kit Marlowe and Ben Jonson. And they speculate endlessly about Shakespeare's pets and poaching, his sources and inspiration, his melancholy and death. From Alexandre Duval's Shakespeare (1804) to Anthony Burgess's "The Muse," this is an anthology of nineteen fictional depictions of Shakespeare. They include Edward H. Warren's account of Shakespeare playing the stock market on Wall Street (with the Three Weird Sisters making stock predictions near a blast furnace in New Jersey), Leon Rooke's vivid memoir of the Bard's dog, and the works of such notables as George Bernard Shaw, Rudyard Kipling and Edward Bond are included.
On the 400th anniversary of Shakespeare's death, this collection opens up the social practices of commemoration to new research and analysis. An international team of leading scholars explores a broad spectrum of celebrations, showing how key events - such as the Easter Rising in Ireland, the Second Vatican Council of 1964 and the Great Exhibition of 1851 - drew on Shakespeare to express political agendas. In the USA, commemoration in 1864 counted on him to symbolise unity transcending the Civil War, while the First World War pulled the 1916 anniversary celebration into the war effort, enlisting Shakespeare as patriotic poet. The essays also consider how the dream of Shakespeare as a rural poet took shape in gardens, how cartoons challenged the poet's élite status and how statues of him mutated into advertisements for gin and Disney cartoons. Richly varied illustrations supplement these case studies of the diverse, complex and contradictory aims of memorialising Shakespeare.
This original, witty, illustrated study offers the first analytical history of the rise and development of literary tourism in nineteenth-century Britain, associated with authors from Shakespeare, Gray, Keats, Burns and Scott, the Brontë sisters, and Thomas Hardy. Invaluable for the student of travel and literature of the nineteenth century.
This book offers a collection of essays on Shakespeare's life and works in popular forms and media.